To the Next Five Years and Beyond: From the Publisher
Southwest Contemporary owner and publisher Lauren Tresp reflects on our five-year anniversary—and all of the work that is still to come.
September 03, 2024
Southwest Artist Residencies with Fall 2024 Deadlines
Discover your next opportunity with our latest roundup of Southwest artist residencies in Colorado, Nevada, New Mexico, Texas, and Wyoming, with deadlines in September, October, and November 2024.
August 22, 2024
Inside Southwest ContemporaryNew Mexico
Critical Commons 2024: Santa Fe
Southwest Contemporary announces Critical Commons 2024: Santa Fe, the fourth iteration of our annual initiative to cultivate creative and critical discourse with a range of events.
August 09, 2024
Sponsored2024 New Mexico Field GuideNew Mexico
Jarrett West: Working with Poise and Simplicity
Santa Fe–based artist Jarrett West creates large-scale ceramic stonework sculptures that evoke the drama of nature and the organic architecture of New Mexico.
May 24, 2024
Essay2024 New Mexico Field GuideNew Mexico
Watch Zozobra Burn for the 100th Time
August 2024 will usher in one hundred years of setting Zozobra ablaze—a ceremony of fire, redemption, and the incineration of Santa Fe’s gloom.
May 24, 2024
From the EditorInside Southwest ContemporarySouthwest
Southwest Contemporary Announces New Leadership, Awards, and Eyes the Future
This spring, Southwest Contemporary welcomes a new editorial director and four new board members, along with award wins, open calls for our next issue, and an opportunity to win $10,000 in funding for emerging media.
May 10, 2024
ArtistsVol. 9 Living Histories
Living Histories
In Southwest Contemporary Vol. 9: Living Histories, guest juror Kalyn Fay Barnoski reflects on the ten featured artists and how they engage with cultural, community, or familial histories.
March 01, 2024
Studio VisitNew MexicoVol. 9 Living Histories
Delilah Montoya: Redefining the Focus of Documentary Photography
Delilah Montoya, a Chicana artist based in Albuquerque, turns a mestizaje lens on documentary photography and the representation of women.
March 01, 2024
ArtistsNew MexicoVol. 9 Living Histories
Jeannie Ortiz: Living Histories
Jeannie Ortiz's fiber art practice in her ancestral desert homeland around Truth or Consequences, New Mexico, helps her fill in the gaps in her family's history.
March 01, 2024
ArtistsNew MexicoVol. 9 Living Histories
Tamara Burgh: Living Histories
Tamara Burgh's (Swede, Iñupiaq-Kawerak) art practice is undergirded by questions about what Indigeneity means to the artist and how to move into the future carrying the freight of a weighty past.
March 01, 2024
ReviewNevadaVol. 9 Living Histories
Now With More Feeling: The Emotional Show at the Marjorie Barrick Museum of Art
The Emotional Show's consideration of sentiment and inner sensation has become pronounced in relevance following the terrifying December 6 shooting on the UNLV campus.
March 01, 2024
ArtistsNew MexicoVol. 9 Living Histories
Esther Elia: Living Histories
Assyrian Irish artist Esther Elia constructs contemporary diasporic visions of ancient legacies through an ever-evolving array of media.
March 01, 2024
ArtistsColoradoVol. 9 Living Histories
Anne Yoncha: Living Histories
The project Re:Peat by artist Anne Yoncha explores peatlands as time capsules of the geological past and environmental futures.
March 01, 2024
ReviewArizonaVol. 9 Living Histories
Amalia Mesa-Bains’s Retrospective Mines an Archeology of Memory in Phoenix
Amalia Mesa-Bains, renowned for altar-style installations that helped bring Chicana art into the mainstream, recently had a retrospective exhibition at the Phoenix Art Museum.
March 01, 2024
ArtistsArizonaVol. 9 Living Histories
Marlowe Katoney: Living Histories
Marlowe Katoney (Diné) draws on personal experience and Navajo, street, and popular culture to create weavings and paintings that defy conventional notions of beauty and Indigenous art.
March 01, 2024
EssayUtahVol. 9 Living Histories
A Fluid History Set in Stones, Springs, and Rivers
In this essay, nicholas b jacobsen braids together ongoing histories of Mormon and U.S. settler colonialism and genocide against Nuwu and Diné peoples at Pipe Spring National Monument and Lake Powell.
March 01, 2024
ArtistsVol. 9 Living Histories
Chaz John: Living Histories
Santa Fe-based artist Chaz John's (Winnebago Tribe of Nebraska, Mississippi Band Choctaw, European) latest works explore the characters, stories, and archetypes that crisscross generations and cultures.
March 01, 2024
FeatureNevadaVol. 9 Living Histories
Under Juniper Skies: The Barton Brothers & Nevada
Brent Holmes finds kinship in the Barton Brothers, two early, unsung homesteaders to Nevada, through the shared experience of being Black in the American West.
March 01, 2024
ReviewNew MexicoVol. 9 Living Histories
In Out West, Gay and Lesbian Artists are Recognized Within New Mexico’s Art History
Out West: Gay and Lesbian Artists in the Southwest 1900–1969 at the New Mexico Museum of Art collects work by and about queer artists working in New Mexico.
March 01, 2024
ArtistsTexasVol. 9 Living Histories
Andrew Ina: Living Histories
Andrew Ina's multi-media artwork delves into diasporic memory and displacement, using his family's photographs documenting their lives in Lebanon and the United States.
March 01, 2024
ArtistsArizonaVol. 9 Living Histories
Chip Thomas: Living Histories
Medical doctor, photographer, and public artist Chip Thomas has taken a historical turn in his work, building on deep, place-based research and activating architecture with archival discoveries.
March 01, 2024
FeatureArizonaVol. 9 Living Histories
The Tanning-Ernst Effect: Is Sedona Poised for a Surrealist Renaissance?
Sedona was once a Surrealism outpost in the desert, where resident artists Max Ernst and Dorothea Tanning made work at their home, Capricorn Hill.
March 01, 2024
ArtistsArizonaVol. 9 Living Histories
Jisun Myung: Living Histories
Jisun Myung blurs the lines between survival and growth through food-based art, cultivating community and connection.
March 01, 2024
ReviewTexasVol. 9 Living Histories
2024 Border Biennial/Bienal Fronteriza at El Paso Museum of Art
The 2024 Border Biennial at El Paso Museum of Art explores how regional artists experience and interact with the Borderlands, and also acts as a barometer for area contemporary art.
March 01, 2024
FeatureUtahVol. 9 Living Histories
Living at the Home of Truth: Emma Kemp Blends History with Memoir in Marie’s Place
After living at an abandoned commune in rural Utah for eight years, author Emma Kemp blends history with memoir in her forthcoming book.
March 01, 2024
ArtistsArizonaVol. 9 Living Histories
Jacey Coca: Living Histories
Jacey Coca uses photography and beadwork to explore her own Mexican and Korean heritage as part of an evolving creative practice that examines identity, memory, and nostalgia.
March 01, 2024
Twin Tracks
Aleina Grace Edwards considers the ways science, religion, and climate change run together in the Dinosaur Capital of Texas.
March 01, 2024
ReviewUtahVol. 9 Living Histories
Shaping Landscapes: 150 Years of Photography in Utah
Shaping Landscapes illuminates the state's history, using photography as a platform for exploring technology, identity, and activism.
March 01, 2024
EssayTexasVol. 9 Living Histories
Ancestral threads, a writer’s journey
Anne Elise Urrutia reflects on how exploring and writing about her Mexican family history adds to a broader understanding of a vibrant cultural heritage.
March 01, 2024
The Top 10 Southwest Contemporary Stories of 2023
In 2023, Southwest Contemporary published 300 original articles by seventy-five contributors across eight states about contemporary art in the Southwest. These are readers' ten favorite stories of the year.
January 03, 2024
