Monsters of the Santa Fe Art Scene
Monsters of the Santa Fe Art Scene: illustrations by Chris Philpot
October 01, 2017
Portraits from Standing Rock
Tom Harjo’s Portraits from Standing Rock provide insight into an event that was difficult to see. Using still photography, he portrays the people, the emotions, the interactions, and the violence that law enforcement in South Dakota tried to shield from public view in 2016. Harjo’s...
October 01, 2017
2007 Domaine Les Pallières Gigondas “Les Racines”
In prehistoric times, the line that connected people to each other was regarded as one of [...]
October 01, 2017
Steve Barry: Wave
The thick metal door swung shut behind me, and the momentum of its thud closed off the thrum of traffic from Coal Avenue, quieting the world inside the gallery. In the small exhibition space of Sanitary Tortilla Factory, machinery began to whirr, set off by the movement of my body in...
October 01, 2017
Frida Kahlo: Her Photos
In the new documentary that accompanies the exhibition Frida Kahlo:Her Photos, curated by Mexican photographer and historian Pablo Ortiz Monasterio, reference is made at the very beginning to Kahlo’s horrific accident at the age of eighteen. It was the dreadful collision of a bus with...
October 01, 2017
Broken Boxes
The box can be a thing and an idea, sometimes diffuse, other times quite literally bounded. To think outside of one is a ready adage, one of those sayings that’s so overused it’s actually lost most of its ability to make a point. But when I think about the box in this exhibition...
October 01, 2017
Three Questions with Dario Robleto
Houston-based artist Dario Robleto was recently described by Krista Tippett of onbeing.org as “famous for spinning and shaping unconventional materials—from dinosaur fossils to pulverized vintage records, from swamp root to cramp bark. He joins words and objects in a way that distills ...
October 01, 2017
Cross Pollination
The bees have proven themselves remarkably commodifiable, not only through the products they manufacture that humans enjoy, like honey and beeswax, but also as a pattern, a motif, a caricature. The market loves a stripe found in nature. If panda bears are the symbol of neoliberal...
October 01, 2017
Review Santa Fe Photo Festival
Review Santa Fe is the multifaceted flagship program of CENTER and is one of the premier juried [...]
October 01, 2017
Christian Michael Filardo
Christian Michael Filardo takes photographs constantly. A hand holds a switchblade near a blurry-socked leg; a drone floats in a twilit sky above a cholla cactus; soap suds cover the windows of a car. A tattooed arm, melted candles, broken glass, leafy houseplants, tainted concrete, dirt, cats, the back of a shaved head. An omnipresent flash ...
October 01, 2017
Warhol Out West
In 1968, Andy Warhol made a Western movie. He traveled to Tucson that January with about a dozen actors, collaborators, and friends. There was no script. There may have been one at some point, a rough treatment that may or may not have been an adaptation of Romeo and Juliet, but by the time the group arrived in Arizona, the script was not there. ...
October 01, 2017
Field Report: Aspen
Aspen is something of a wonderland. Tucked away and remote in the Roaring Fork Valley, vestiges of the town’s founding as a mining town turned ski resort are still visible in the now multi-million dollar Victorian homes [...]
September 01, 2017
Santa Fe Independent Film Festival
What does it mean to represent someone else? Must we only endeavor to represent stories and people with whom we also identify? Of course not—but recent debates in art and literary circles reflect a growing sense of [...]
December 01, 2016
Franco Andres
Franco Andreshas a thing for textures, surfaces, and sensory information. Throughout his sculptural assemblages, wax, fur, feathers, soil, or charred wood create finishes both sumptuous and visceral. The artist’s [...]
December 01, 2016
Jami Porter Lara: A Map with No Border
Jami Porter Lara came upon the map with no border line in 2011, during a trip to the Paquime archaeological site in Chihuahua, Mexico. She was a BFA student at the University of New Mexico [...]
September 01, 2017
Doris Cross: Selected Works
En route from one Southwest Arts Oasis to another, determined to see the works of Doris Cross (1907-1994) in Marfa and carrying a friend's artwork in our trunk, we passed through the heart of darkness [...]
September 01, 2017
Something Fierce
Lannan Foundation: Roni Horn’s series of photographs of the river Thames—each one capturing a different texture of the opaque and oily water—creates a portrait of the river as if it were [...]
September 01, 2017
Craig Duncan: Whispers of Youth
This is what happens when a photographer with a graphic design sensibility uses paper to make large-scale installation that ends up being a constructed photography series. [...]
September 01, 2017
Maudie
A painter, Lewis grew up in Nova Scotia and had no formal training apart from painting postcards with her mother when she was young. Her hands, shoulders, and neck were crumpled by juvenile rheumatoid arthritis [...]
September 01, 2017
Louise Lawler: Receptions
Louise Lawler has spent her career effacing any presence of her own identity in her artworks. Her works themselves are often either mechanically produced or feature the work of other artists. [...]
September 01, 2017
Quilts of Southwest China
Complex patterns unfold for the viewer and richly reward time spent looking in Quilts of Southwest China. The curation of this show, which includes textiles dated from 1900 to contemporary times, expands our [...]
September 01, 2017
Research Center Conversation: What Can We Learn from Objects?
Many people collect items or have something precious they have kept with them throughout their lives. Other lives previous to ours have touched these things: those who made, owned, preserved, and passed them along...
September 01, 2017
2015 Commanderie de la Bargemone Rosé, Coteaux d’Aix-en-Provence
"Buy the mystery, sell the history” is one of the oldest of Wall Street’s old sayings. The traditional interpretation is that you should buy stocks when they’re widely misunderstood and sell them after they become [...]
September 01, 2017
Melinda Rosenberg: Found and Made
Tansey Contemporary: In her solo exhibition of geometric wall sculptures, Melinda Rosenberg’s lines are not always her own. The Columbus, Ohio, artist’s work is a collaboration with designers [...]
September 01, 2017
Bach & Brews with Matt Haimovitz
Performance Santa Fe presents cellist Matt Haimovitz, who made his debut as a soloist at age 13 in 1984 with the Israel Philharmonic Orchestra, and made his first recording at age 17 with the Chicago Symphony [...]
September 01, 2017
Connective Tissue: New Approaches to Fiber in Contemporary Native Art
IAIA Museum of Contemporary Native Arts: A single visit to the Institute of American Indian Arts' Museum of Contemporary Native Arts is enough to prompt wonder at why those visits are not more frequent [...]
September 01, 2017
Mary Dezember: Still Howling
Mary Dezember: Still Howling: When I walked in to Mary Dezember’s reading for Still Howling, upstairs from the plaza in a snug gallery space run by Strangers Collective, the poet came up to me and immediately connected me with something I’d written, something about women, she said...
February 01, 2017
Kukuli Velarde: Plunder Me Baby
Peters Projects: Is it possible for an artist to exhaust the format of the self-portrait? Or are we better off asking the opposite question: are artists’ reflections on their own likeness ever enough to fully describe depth of character, change over time, or one’s psyche?...
September 01, 2017
Déjà Vu
It was like déjà vu, or rather a bad dream that repeated exactly twice. First, it was the closure of the College of Santa Fe in 2009 and now this, the scheduled closure of Santa Fe University of Art and Design in May 2018. While CSF had made it past middle age, if you started counting from the moment of its accreditation in 1965, SFUAD, run by Laureate International Universities in the last eight years, hadn’t even made it into adolescence [...]
September 01, 2017
Borderland Readymades: Postcommodity’s Repellent Fence
The night before the indigenous art collective Postcommodity planned on suspending twenty-six balloons along the US-Mexico Border, winds kicked up, threatening the next day’s work and the culmination of...
December 01, 2016
