American Framing at Palm Springs Art Museum Peeks into America’s Complex Psyche
American Framing, a Palm Springs Art Museum exhibition by Paul Andersen and Paul Preissner, contemplates the pillars of American architecture.
American Framing, a Palm Springs Art Museum exhibition by Paul Andersen and Paul Preissner, contemplates the pillars of American architecture. By Justin Duyao
Lucha Libre: Beyond the Arenas is a compelling mix of art and artifacts that elevate themes of identity, power, resistance, and performance. By Lynn Trimble
Sonoran Modern shaped Southern Arizona architecture nearly eighty years ago. Tucson Modernism Week makes a dedicated effort to highlight the region’s distinctive mid-century modern style. By Eva-Marie Hube
Wren Ross, a Park City, Utah, painter and social worker, plumbs our collective unconscious with stirring, uncanny work, where movement becomes a crucible for visual creation. By Alexander Ortega
Anthony Bondi’s standalone archive of Las Vegas arts from 1990 to 2015 recalls the Underground and the Committee for Public Safety, and sheds a light on the city’s cultural amnesia. […] By Brent Holmes
Many Wests: Artists Shape an American Idea at the Utah Museum of Fine Arts in Salt Lake City examines the perspectives of dozens of artists who offer a broader and more inclusive view of the American West. By Utah Museum of Fine Arts
Core Contemporary in Las Vegas, under the direction of Nancy Good, focuses on local artist standbys and self-taught outsider artists in exhibition themes ranging from gun violence to queer aliens. By Laurence Myers Reese
The Wright Contemporary in Taos brings brightness to winter with bloom-inspired artworks in the exhibition Botanicals. By The Wright Contemporary
Patricia Sannit, in this deeply personal visit to her Phoenix studio, reflects on the ways loss, vulnerable ecologies, and recent residencies in Iceland and Sweden are shifting her practice. By Lynn Trimble
Salt Lake City’s Christian School, the brainchild of late artist Ralphael Plescia, is in limbo as an arts organization’s preservation efforts are hampered by the recent sale of the property. By Scotti Hill
Janet de Berge Lange, Jeff Falk, James B. Hunt, and Annie Lopez—in roundtable style—dish on downtown Phoenix’s art scene pre-America West Arena and prior to First Friday. By Robrt Pela
Gerald Peters Gallery features two prominent and experimental printmakers of the 1960s, Garo Antreasian and Phyllis Sloane. By Gerald Peters Contemporary
Albuquerque’s birds + Richard gallery and Richard B restaurant blur the lines between dinner party and exhibition opening with an invitation to take in art with a side of gastronomy. By Maggie Grimason
Mario Zoots is a Denver-based artist who has explored the medium of collage for nearly fifteen years, and pushed against the genre's boundaries and expectations. By Joshua Ware
Sunsets at Everybody in Tucson is a group exhibition of 16mm video, silver-gelatin prints, and sculptural fabrications that share formally austere and technically complex approaches to composition. By Audrey Molloy
Springville Museum of Art, newly helmed by Emily Larsen, is one of Utah’s oldest visual arts institutions—and a crucial component of the state’s arts education networks. By Steve Jansen
The combined Santa Fe offices of AOS Architects and MASS Design Group will help expand the humanitarian architecture footprint for Native and non-Native communities in New Mexico and beyond. By Steve Jansen
Angel Cabrales, a devotee of science, sci-fi, and his own cultural heritage based in El Paso, creates alternate worlds that are more playful than the serious and broken one we live in. By Joy Miller
Arizona Commission on the Arts' new director says its governing board lacks geographic diversity, which goes against Arizona statute. It’s not the only violation of state law involving the agency. By Lynn Trimble
Southwest Contemporary announces our inaugural Community Editorial Advisory Board, a group of arts leaders from across the region who will provide us with critical feedback about important stories we need to tell. By Southwest Contemporary
At the Millicent Rogers Museum, Southwest Reflections: Between Shadows of the Land takes an interdisciplinary and intercultural approach to the place now known as New Mexico. By Lillia McEnaney
María del Mar González-González, a Utah-based curator, bolsters artist voices that are too often relegated to the fringes of discussions about Latinx art. By Alexander Ortega
The Center Can Not Hold—curated by Hikmet Sidney Loe and featuring works by Anne Mooney, John Sparano, and Hannah Vaughn—explores the varied meanings of holding space through architecture. By Bianca Velasquez
Lauren Tresp, publisher and editor, looks back at 2022, a year of growth, engagement, and relationship-building for Southwest Contemporary. By Lauren Tresp
Southwest Contemporary's staff, Natalie Hegert, Steve Jansen, Angie Rizzo, and Lauren Tresp, pick their favorite reads—and one podcast—of 2022. By Southwest Contemporary
Southwest Contemporary’s most-read list for 2022 includes our 12 New Mexico Artists to Know Now announcement and our first longform feature. By Southwest Contemporary
Denver Digerati, under the direction of executive director and chief curator Sharifa Lafon, looks to change up its digital arts and educational programming in 2023. By Joshua Ware
Petra Cortright, a Net Art and Post-Internet Art painter, bends traditional art-world genres in a solo exhibition at the Palm Springs Art Museum. By Eva-Marie Hube
Southwest Contemporary's final 2022 gift guide travels to Las Vegas, Nevada, where shoppers can score amazing coffee, miniature neon deserts, and a photo sesh inside a life-sized cabinet of curiosities. By Laurence Myers Reese
Maja Ruznic of Placitas, New Mexico builds and embraces darkness in canvas works that are informed by trauma and inspired by Carl Jung’s philosophy of the shadow self. By Caitlin Lorraine Johnson
Our next gift guide travels to Salt Lake City and Provo, where shoppers can score upcycled clothing, wood-burned prints, and gender-affirming underwear. By Bianca Velasquez
Marcus Chormicle’s uncle and cousin passed away on the same day a year apart. On the anniversary of their deaths, the photographer opened the community-centered CAV Gallery in Las Cruces. […] By Steve Jansen
Denver-based artist and entrepreneur MarSha Robinson creates elaborate, botanical worlds and runs a thriving business under the moniker Strange Dirt. By Joshua Ware
From handcrafted boots to an indispensable indigenous cookbook, here are giftable gems for that special Texan in your life. By Natalie Hegert
Santa Fe-based textile artist Rhiannon Griego weaves wearable and displayable artworks that pay respect to the land and her Spanish and Native heritage. By Kathryne Lim
From the Creek, an exhibition by artist Kiki Smith, brings the experience of the flora and fauna of the Hudson River Valley to the Albuquerque Museum. By Maggie Grimason
With new work by Emi Ozawa and Jeff Kellar, two winter exhibitions play with perception and illusion at Richard Levy Gallery. By Richard Levy Gallery
Several art museums in the Southwest region are highlighting local artists in creative ways, countering the tendency to associate major museums with monumental exhibitions of world-renowned artists. By Lynn Trimble
The Southern Utah Museum of Art celebrates the legacy of Utah artist Jimmie F. Jones with a new semi-permanent exhibition space and permanent, interactive touchscreen kiosk. By Southern Utah Museum of Art
Gregg Deal's exhibition Esoo Tubewade Nummetu (This Land Is Ours) in Colorado Springs doesn’t sugarcoat the historic and contemporary injustices Native people encounter in mainstream American culture and society. By Steve Jansen
This holiday season, consider shopping in Santa Fe for a variety of delights, ranging from gifts for cats (and cat mommies and daddies) to a music concert membership. By Daisy Geoffrey
Anuar Maauad’s project brings up a question born of our contemporary political context: who controls one’s body and its off-shoots? By Joshua Ware
Catch up on recent art news headlines in the Southwest region, including people on the move, grants, and more. By Steve Jansen
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