Welcome to Southwest Contemporary Vol. 2, Flights of Fancy. This issue explores the complexities involved in defining—and staying tethered to—what’s “real."
Dallas artist Christian Cruz depicts the value of human interaction in a society taking inventory after so much loss and social reckoning.
May Stevens’s retrospective at SITE Santa Fe showcases a selection of her politically charged yet personal paintings and prints that display her ability to embody her conviction in a variety of styles and themes.
Texas artist Xxavier Edward Carter uses the anonymized debris of financial transactions and sales pitches as his canvases for the debut exhibition at Cluley Projects.