Review: The Powers Art Center: Worshiping at the Altar of Jasper Johns
Visiting an exquisite private art collection nestled in the Colorado Rockies devoted to Jasper Johns, Emilie Trice wonders: is his work relevant in this day and age?
Visiting an exquisite private art collection nestled in the Colorado Rockies devoted to Jasper Johns, Emilie Trice wonders: is his work relevant in this day and age? By Emilie Trice
Jorge Rojas’s retrospective Material Witness at Granary Arts in Ephraim, Utah, showcases a quiet yet still tenacious side of the Salt Lake City-based artist. By Steve Jansen
Patrick Dean Hubbell’s exhibition Tack Room at Gerald Peters Contemporary in Santa Fe serves up a powerful discourse that challenges the representation of Indigenous peoples. By Erin Joyce
Salt Lake City artist Nancy Rivera illustrates the immigrant experience in a series of complex and time-consuming embroideries. By Bianca Velasquez
Diego Rodriguez-Warner: Iteratives at Rule Gallery in Denver subverts and reinforces historical permutations of beauty. By Emilie Trice
ArtistsColoradoVol. 6 Rooted: Poetics of Place
Alex Branch is a Colorado-based interdisciplinary artist whose works can be architectural, acoustic, or kinetic, and often require human involvement to be fully realized. By Southwest Contemporary
ArtistsArizonaVol. 6 Rooted: Poetics of Place
Rapheal Begay is a "visual storyteller who uses cultural landscape photography and oral storytelling to activate, reference, and preserve memory and understanding found within the Diné way of life." By Southwest Contemporary
New MexicoReviewVol. 6 Rooted: Poetics of Place
Wo/Manhouse 2022 reconsiders the relationship between gender and domestic spaces on the fiftieth anniversary of the seminal feminist installation Womanhouse in Belen, New Mexico. By Lauren Tresp
FeatureNew MexicoVol. 6 Rooted: Poetics of Place
Artists Patrick Nagatani, Richard Tuttle, Esteban Cabeza de Baca, and Lucy Raven attest to the nature of the poetics of place through artworks centered on the New Mexican landscape. By Colin Edgington
FeatureSouthwestVol. 6 Rooted: Poetics of Place
Artists across the Southwest reflect on the region's nuclear history and its fallout in their anti-nuclear artworks. By Anna Prawdzik Hull
ArtistsNew MexicoVol. 6 Rooted: Poetics of Place
Kuzana Ogg, a Los Alamos, New Mexico artist represented by Gebert Contemporary in Santa Fe and K Contemporary in Denver, creates work governed by the aesthetic principles of balance and restraint. By Southwest Contemporary
ReviewColoradoVol. 6 Rooted: Poetics of Place
The Contour of Feeling at the Denver Botanic Gardens introduces Colorado audiences to immense, organic cedar sculptures and other large-scale works by artist Ursula von Rydingsvard. By Deborah Ross
ArtistsUtahVol. 6 Rooted: Poetics of Place
Salt Lake City-based artist Beth Krensky responds to the natural or built environment with a practice rooted in socio-historical memory of place. By Southwest Contemporary
Studio VisitColoradoVol. 6 Rooted: Poetics of Place
Colorado-based multidisciplinary artist Steven Yazzie (Diné, Laguna Pueblo, European ancestry) thinks of his art studio as community and land rather than an insular space bound by four walls. By Lynn Trimble
ArtistsUtahVol. 6 Rooted: Poetics of Place
Jorge Rojas's multidisciplinary approach to art and performance spotlights issues of interpretation, institutional critique, and the role of cultural, social, and mediated forms of communication in the world. By Southwest Contemporary
ReviewNew MexicoVol. 6 Rooted: Poetics of Place
Hills Snyder entered the multiple spaces of Jeffrey Gibson: The Body Electric in daylight, but left in a twilight state. By Hills Snyder
PhotographyVol. 6 Rooted: Poetics of Place
In The Yucca People, writer Tyler Stallings and photographer Naida Osline contemplate the desert and land use through the lens of the Yucca plant. By Tyler Stallings
ArtistsArizonaVol. 6 Rooted: Poetics of Place
Artist Anh-Thuy Nguyen, based in Tucson, Arizona and Ho Chi Minh, Vietnam, explores migration and personal experiences through multimedia works. By Thao Votang
ArtistsNew MexicoVol. 6 Rooted: Poetics of Place
Luna Galassini, an artist based in Truchas, New Mexico, explores historical narratives of extraction in New Mexico through sound art. By Southwest Contemporary
ArtistsNew MexicoVol. 6 Rooted: Poetics of Place
Nick Larsen, an artist from Nevada living in Santa Fe, works in the no-man’s land between fictional archaeological inventory and autobiography. By Southwest Contemporary
ReviewArizonaVol. 6 Rooted: Poetics of Place
A Country is Not a House at ASU Art Museum grapples with the U.S.-Mexico border and capitalist notions of public and private life. By Lynn Trimble
ReviewUtahVol. 6 Rooted: Poetics of Place
The exhibition Air considers Salt Lake City's rising air pollution and the impacts of climate change on the environment and social justice. By Scotti Hill
ArtistsUtahVol. 6 Rooted: Poetics of Place
Diné artist Gilmore Scott’s dynamic and vivid geometric paintings of Bears Ears and monsoon thunderstorms are tied to his land and culture. By Natalie Hegert
ArtistsNew MexicoVol. 6 Rooted: Poetics of Place
Hills Snyder, a Magdalena, New Mexico artist, creates works on paper inspired by road trips and small towns in middle America. By Hannah Dean
Fall back into these Southwest area art exhibitions in Arizona, Colorado, Nevada, New Mexico, Texas, and Utah. By Steve Jansen
Eugene Newmann, a pioneering artist of the New Mexico abstract art scene, presents Abstraction and Figuration at Pie Projects in Santa Fe. By Pie Projects
Dallas-based artist Austin Uzor blends the figure and the Southwest landscape in oil paintings that blur the boundaries of figurative painting. By Laura Neal
In Denver Art Museum’s Who Tells a Tale Adds a Tail, Latin American millennial artists transform narratives rooted in collective memory and the virtual realm of cyberspace. By Emilie Trice
Brenda Kingery (Chickasaw Nation) is a contemporary artist and champion of women’s empowerment around the world, now showing at Glenn Green Galleries in Santa Fe. By Glenn Green Galleries + Sculpture Garden
Merry Scully, former New Mexico Museum of Art head of curatorial affairs, is leaving the state with a heavy heart but with an eager eye towards Southern California. By Steve Jansen
In Self-Determined at CCA Santa Fe, thirteen Native artists address the environment, mythology, traditions, technology, and more. By Center for Contemporary Arts Santa Fe
Utah video artist VHS Vic (Victor Blandon) shows his audience how to find magic in the mundane, the goofy in the serious, and the artistry in making a pizza. By Bianca Velasquez
The recent destruction of Santa Fe’s Multicultural mural caused fierce controversy, but its little-told history reveals tough questions about authorship and cross-cultural collaboration. By Jordan Eddy
Urban Pop in Bountiful, Utah offers a unique opportunity to see big names, but the exhibition fails to situate artists within the movements to which the show claims they belong. By Scotti Hill
Southern Utah Museum of Art and Modern West exhibit concurrent shows in Utah examining the legacy of abstract expressionism in the Southwest, featuring Taos Moderns Beatrice Mandelman and Louis Ribak and contemporary arts Shalee Cooper and Arlo Namingha. By Southern Utah Museum of Art
Art meets nature in four Colorado gardens and outdoor installations—creating space for meditative contemplation and divine catharsis at Aspen Art Museum, Chatfield Farms, Greenbox Arts, and the San Luis Valley. By Emilie Trice
Five emerging artists explore experiences of the African Diaspora in And Let It Remain So, a Phoenix Art Museum exhibition that assesses family, home, displacement, identity, and Black representation. By Lynn Trimble
Son de Allá y Son de Acá brings together sixty contemporary Chicano/a and Latino/a artists from Arizona, California, Colorado, New Mexico, and Texas across four Albuquerque art galleries. By Bethany Tabor
Borna Sammak’s exhibition america, nice place at Dallas Contemporary conceptually and materially questions popular American archetypes and the redundancies of cultural consumerism. By Laura Neal
Emily Margarit Mason challenges the limits of the still image by placing photos into alternative settings—whether baking one into a cake or rearranging another into an abstract collage. By Caitlin Lorraine Johnson
Ya La’ford, Ogden Contemporary Arts’s first artist-in-residence, visualizes a past, present, and future Southwest in Survey: The West. By Steve Jansen
In Forgotten Artifacts at Core Contemporary, Las Vegas artists, Las Vegas artists show cast-metal sculptures evoking a landscape without humans. By Laurence Myers Reese
Albuquerque artist Leonard Fresquez offered a unique glimpse at the possibilities of art in understanding our world. His June 2022 death at the age of forty-one marks a profound loss. By Maggie Grimason
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