Artists Brighten a Boarded up Albuquerque
Artists descended on downtown Albuquerque, a “ghost town” after the pandemic, for two weeks to paint the boarded-up windows...
Artists descended on downtown Albuquerque, a “ghost town” after the pandemic, for two weeks to paint the boarded-up windows... By Asuri Ramanujan Krittika
New Mexico Artist to Know Now Joe Ramiro Garcia updates us on his current work and studio practice. By Daisy Geoffrey
Taos-based artist c marquez, one of SWC's 12 NM Artists to Know Now, updates us on their practice, new pieces, and wishes for the arts community. By Daisy Geoffrey
Rapheal Begay, one of SWC's 12 NM Artists to Know Now, updates us on his work and relationship to art since the COVID-19 pandemic, which he has spent at home in Navajo Nation. He continues to advocate for Indigenous aesthetics and visual sovereignty. By Daisy Geoffrey
Reimagined for the COVID-19 era, this year’s entirely virtual monthlong Indian Market is ushering in a new era for SWAIA and many Native artists. By Ellie Duke
Patina Gallery presents Infinite Beauty, On the Move, a collection by master metalsmiths and jewelry makers Ulla and Martin Kaufmann, in partnership with Charon Kransen Arts. By Tamara Johnson
Windows On the Future, which spans Albuquerque, Santa Fe, and Taos, aims to re-energize commercial districts that have slowed down due to COVID-19. By Ellie Duke
From thermal surveillance imaging to maps of the dead to stories and visions of survival, the work at two imminent Santa Fe exhibitions invites you to come closer to some of the millions of humans who have lost, fled, or been chased from their homes and countries in the past three decades. By Briana Olson
This week we chat with Sarah Stolar, an interdisciplinary artist and head of the art department at UNM-Taos. She shares how her students are coping, and the importance of supporting young artists whose voices we need most By Daisy Geoffrey
Richard Levy Gallery presents New Work: Paintings, Drawings, and Sculpture, a solo exhibition of colorful minimal pieces by Jeff Kellar. He creates beautiful surfaces through the application of many layers of acrylic resin and clay pigment onto paper, aluminum panels, and woodblocks. Each layer is methodically sanded and buffed leaving the surface smooth and modulated. Playing with illusion, ambiguity, and space, Kellar uses these ultra-flat surfaces to form dimensional compositions. By Southwest Contemporary
This exhibition is the culmination of Tonee Harbert's first nine months at the Roswell Artist-in-Residence program. A photography exhibition that shows the southeast New Mexico landscape with surreal and melancholy beauty, and is relevant during the pandemic, showing an absence of people, while referencing marks of humanity on the landscape. By Southwest Contemporary
The current state of virtual exhibitions is rather disappointing, but there are a few promising gems out there in the cacophonous landscape of the net. In this essay, Lauren Tresp tries to make some sense of the noise of art online. By Lauren Tresp
As an invited guest of the family, Jan Butchofsky was asked to witness the Coming of Age Ceremony of two maidens during two separate celebrations and was honored to bear witness to these sacred and very private preparations and ceremonies. By Southwest Contemporary
As an invited guest of the family, Jan Butchofsky was asked to witness the Coming of Age Ceremony of two maidens during two separate celebrations and was honored to bear witness to these sacred and very private preparations and ceremonies. By Southwest Contemporary
Yōkai: Ghosts & Demons of Japan at the Museum of International Folk Art spotlights the Japanese folk art tradition of yōkai, which depicts paranormal beings such as ghosts, demons, and monsters in a variety of settings, ranging from traditional kabuki theater to Pokémon anime. By Steve Jansen
Santa Fe based photographer Memphis Barbree's project, The Sky Calls to Us, documents the Kennedy Space Center in its grandness and the markings of those who created the space program. By Angie Rizzo
Labor: Motherhood and Art in 2020 in NMSU’s new art building fills its elegant spaces with imposing artwork, mostly photographs and installation work.These exhibitions put a spotlight on the idea of motherhood as a powerful but almost invisible force in life. By Asuri Ramanujan Krittika
Patina Gallery presents Urban Landscapes, a collection of metagraphs by artist Sol Hill. A native New Mexican and son of Santa Fe artist Megan Hill, this will be Hill’s second show in New Mexico. By Tamara Johnson
The provocative work of Francesca Woodman, an art photographer who took her life at only twenty-two, takes on new dimensions in Portrait of a Reputation, an exhibition at MCA Denver that combines Woodman’s experimental work from the late 1970s with candid photos of the artist by her friend, George Lange. By Deborah Ross
The new Charlene Teters exhibition at Institute of American Indian Arts in Santa Fe challenges border policies in a time of mass migration. By Coco Picard
Esphyr Slobodkina: Six Decades of Groundbreaking Painting, Collage, and Sculpture at the LewAllen Galleries in Santa Fe is a window into twentieth-century abstract art by one of the movement’s early pioneers, Esphyr Slobodkina, a versatile and prolific New York artist. A cofounder of the American Abstract Artists group, she translated the concepts of European Modernism into American idiom. By Alejandro López
Artist Leah Mata Fragua on addressing climate change during her School for Advanced Research fellowship in Santa Fe. By Patrick McGuire
Indelible Ink displays pieces by nine multigenerational Native American printmaking women whose artwork stuns with originality, beauty, and color, while also illustrating the historical trauma that impacts Native people today. By Steve Jansen
Chinati's special exhibition is like a conversation between Donald Judd and Barnett Newman, with work from both artists on view. By Briana Olson
As an invited guest of the family, Jan Butchofsky was asked to witness the Coming of Age Ceremony of two maidens during two separate celebrations and was honored to bear witness to these sacred and very private preparations and ceremonies. By Southwest Contemporary
Depicting wildlife and wilderness of the high desert of New Mexico, Kat Kinnick works to create a culture of fondness and connectedness to our natural world. The artist says, “creating culture through art is like creating a value system. By Southwest Contemporary
This spring, UNM Art Museum hosts new-media artist León De la Rosa-Carrillo’s The Remix Room, which will offer visitors “six different stations in which remix can be explored as a viable strategy to conduct research and produce remixed content.” By Titus O'Brien
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“The intention of this work is to honor vulnerability, impermanence, and cycles of life on our planet,” c marquez says of their work, which includes two-dimensional pieces, sculpture, installation, and the results of a daily sketchbook practice. By Maggie Grimason
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Intensely thoughtful, Raphael Begay sees significance in objects and quotidian scenes and is able to begin a conversation with the viewer through his lens. With installations and discussions about his work, he adds a further dimension of storytelling that engages community... By Tamara Johnson
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Garcia, an Art Institute of Chicago–educated artist who moved to Santa Fe from his native Houston in 1987, developed a unique transfer procedure: he creates an image or pattern on paper that’s soaked in gum arabic and water, which is then hand pressed onto a painting surface. By Steve Jansen
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Currently residing in Albuquerque where they are pursuing an MFA in photography, MK began the recent series The Pain Is Just an Annoyance Now as members of their family began to pass away and they witnessed the grief of their mother. These losses spurred an exploration of the complications of family relationships, as well as obscured histories through the physical remnants of the past that shore up the present—family photo albums. By Maggie Grimason
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Looking at Cedra Wood’s paintings feels a little like finding a secret door to enchanted lands. Wood understands a connection between the outer wild terrains and the inward ones. Her art celebrates both realms as essential and beautiful, linked by mythos. The worlds she depicts evoke something of the hero’s journey. By Tamara Johnson
Zahra Marwan’s exhibition at the Sanitary Tortilla Factory in Albuquerque pairs exquisite poetry with her illustrations, paintings on paper. By Asuri Ramanujan Krittika
We, The Masses: Here, the men—drawn in mind-blowing detail on palimpsest-free surfaces—engage in unhinged activity, ranging from gnawing on tree bark to fighting with one another. Some men hug en masse: they seem to know that O’Neil is about to hit the go button on the apocalypse... By Steve Jansen
Born in Germany in 1881, Baumann’s parents moved to Chicago when he was ten, and the budding artist began attending the School of the Art Institute in his teens, at one of its most fecund and influential periods. Baumann wasn’t the first of his Chicago peers to discover New Mexico, but he planted deeper roots than most. Fellow master printmaker and Baumann’s soul-heir Tom Leech contributes a heartfelt reflection on decades spent working with the artist’s materials, upholding his legacy at Santa Fe’s Palace of the Governors... By Titus O'Brien
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Eric-Paul Riege’s (Diné) elaborate and beautiful fiber works not only connect him with his ancestral and artistic centers, but also envelop viewers in an everyday Navajo worldview, one that the artist believes should be communal. By Steve Jansen
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The shapes of Andrea Pichaida’s sculptural works in clay are at once spare and suggestive, their lines and colors inspired by nature, their content speaking to experience both personal and universal. By Maggie Grimason
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Danielle Shelley, who earned critical acclaim as a painter, has found similar success as a textile wizard. "My artistic concerns didn’t change when I morphed from a painter into a fiber artist,” writes Shelley in her artist statement. “I am still a passionate colorist, in love with shapes and lines. But I also find satisfaction in being part of the movement that has reclaimed stitch work, a long-dismissed women’s medium.” By Steve Jansen
The thirty-five featured artists have opted to use the disarming power of humor, parody, and satire to counter, transcend, and transform the oppression they have suffered. By Alejandro López
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Justin Richel infuses his paintings and sculptures with incisive, humorous, and exacting layers of commentary. He studied the technique of icon painting at the Franciscan monastery in Kennebunk, Maine, in 2004. This thoughtful Franciscan attention to color and the creation of signifiers informs his work, but his use of these methods is unique. By Tamara Johnson
Martínez-Díaz is a visual artist who uses photography, video, design, and installation to create conceptual work focused on the hyper normalization of violence in Northern Mexican society. By Isadora Stowe
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“My photos illustrate the blood pumping through Albuquerque,” Frank Blazquez told the Guardian in 2018. The portraits—largely captured along the east-west belt of Central Avenue—capture human faces, yes, but each carries a story in and of itself. By Maggie Grimason
Rafael Lozano-Hemmer's most recent installation Border Turner in El Paso and Ciudad Juárez brings voice and person to the forefront. By Daisy Quezada
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