Paisley Rekdal Reimagines History in West: A Translation
InterviewUtahVol. 9 Living Histories
Salt Lake City-based writer Paisley Rekdal discusses poetry as an archive and cultural connecter in the history of the transcontinental railroad.
InterviewUtahVol. 9 Living Histories
Salt Lake City-based writer Paisley Rekdal discusses poetry as an archive and cultural connecter in the history of the transcontinental railroad. By Kathryne Lim
ReviewUtahVol. 9 Living Histories
Shaping Landscapes illuminates the state's history, using photography as a platform for exploring technology, identity, and activism. By Scotti Hill
Bloomberg Public Art Challenge funding will help Phoenix and Salt Lake City address climate change, and Houston examine homelessness, through temporary public art that engages artists and community members. By Lynn Trimble
Salt Lake City-based Stephanie Leitch, known for her labor-intensive and mesmerizing installations, continues honing her craft in recent exhibitions that comment on life’s murky truths. By Scotti Hill
The Mestizo Institute of Culture and Arts, a Salt Lake City organization that promotes marginalized artists, aims to revitalize its mission with a new exhibition space centered on community-based programming. By Scotti Hill
Photojournalist Russel Albert Daniels posits his family history as a bridge to larger investigations into Indigenous histories and the legacy of colonial violence and displacement in the American Southwest. By Scotti Hill
While many of the figures in UMOCA’s A Greater Utah are familiar, the ambitious scope of the project allows for new perspectives outside of the state’s metropolitan center. By Scotti Hill
Jared Steffensen, a Salt Lake City-based artist and curator, repurposes broken skateboard decks into enigmatic, nearly inexplicable sculptural artworks in the Current Work exhibition Nosey Taily and the Leftover Review. By Steve Jansen
Torrey House Press, an Intermountain West nonprofit environmental book publisher founded in 2010, renews its commitment to Western voices with a new focus on diverse perspectives. By Camille LeFevre
Studio VisitUtahVol. 8 Medium + Support
Salt Lake City–based artist Lenka Konopasek disrupts and decenters anthropocentrism with her three-dimensional paper sculptures, whose prickly paper strips instill aversion and attraction, as if growing out of the wall. By Alexander Ortega
Alexis Rausch continues raising questions about mass responses to traumatic events and how her identity comes into play through the Utah Museum of Contemporary Art exhibition Nobody likes it here. By Bianca Velasquez
A Greater Utah, a major survey at the Utah Museum of Contemporary Art, aims to be more representative of regional artmaking than the predecessor show, Utah Biennial: Mondo Utah. By Gabriella Angeleti
Matthew Sketch’s FAM(ily) exhibition at UMOCA comprises a series of untitled mixed-media pieces that explore the relationship between light and land. By Parker Scott Mortensen
Salt Lake City’s Christian School, the brainchild of late artist Ralphael Plescia, is in limbo as an arts organization’s preservation efforts are hampered by the recent sale of the property. By Scotti Hill
María del Mar González-González, a Utah-based curator, bolsters artist voices that are too often relegated to the fringes of discussions about Latinx art. By Alexander Ortega
New Mexico artist Billy Schenck has made a successful career of cowboy-and-Indian pop-art imagery, but a recent exhibition of his work brings present-day debates over representation and authorship into the harshest of spotlights. By Steve Jansen
John Sproul, a prominent local artist and owner of Nox Contemporary, will close the gallery following the end of Jared Steffensen’s exhibition Idem, Norms, Dorms Mine on November 4, 2022. By Scotti Hill
i know you are, but what am i? at the Utah Museum of Contemporary Art focuses on the figure to launch discussions about identity, fluidity, and body positivity. By Steve Jansen
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