In Eleanor Mahin Thorp’s Paintings, the Land Looks Back
At UMOCA, Eleanor Mahin Thorp turns minerals, mining waste, and paint into wildernesses that are far from unspoiled—rather, they’re charged with agency.
August 13, 2026
At UMOCA, Eleanor Mahin Thorp turns minerals, mining waste, and paint into wildernesses that are far from unspoiled—rather, they’re charged with agency.
Austin Doty • August 13, 2026
After decades of decline and political inaction at Great Salt Lake, Olafur Eliasson flies in with a temporary public art project. Can this art-world Hail Mary provoke positive change?
Hikmet Sidney Loe • April 16, 2026
Filled with beauty, tragedy, and oddities, UMOCA’s Altered States in the Acid West encompasses the storied contractions inherent to the American West.
Scotti Hill • March 20, 2026
Adama Delphine Fawundu submerses herself into the Great Salt Lake, activates the UMFA’s African collection, and brings the region into a global dialogue around decolonization.
Ana Estrada • February 19, 2026
Experience Olafur Eliasson's immersive sound and light installation highlighting the Great Salt Lake's urgent decline March 26–April 4, in Salt Lake City's Memory Grove.
Wake the Great Salt Lake • February 10, 2026
Painter Pilar Pobil's largest artwork was her maximalist Salt Lake City home, a communal hub that still hums nearly a year after her death.
Scotti Hill • October 16, 2025
Salt Lake City–based artist Carol Sogard obsessively collects and catalogues the remains of a world in crisis, wherein action, if not optimism, may be an obligation.
Maggie Grimason • September 05, 2025
Southwest botanical gardens have reshaped their grounds as living museums for stunning—and challenging—contemporary art. Discover seven culture-filled desert oases.
Lynn Trimble • July 03, 2025
In two successive solo exhibitions, Taiwanese artist Lu Wei traces a wild pilgrimage through the shadows of motherhood into the searing heat of the Utah desert landscape.
Ana Estrada • June 26, 2025
The artists of Helper, Utah, have spent the last three decades honing strategies to strengthen their rural community—and make the regional market work for them.
Bianca Dumas • May 13, 2025
ArtistsUtahVol. 11 The Hyperlocal
Salt Lake City–based artist Joshua Graham explores site-specificity through walking and collecting, gathering objects in the foothills above the city and reconfiguring them in the gallery.
Joshua Ware • March 07, 2025
ReviewUtahVol. 11 The Hyperlocal
Arleene Correa Valencia’s exhibition at the Utah Museum of Fine Arts reveals the indelible imprint of growing up as an undocumented migrant through personal writings, photographs, and textiles.
Ana Estrada • March 07, 2025
Yasuaki Onishi's site-specific installation Stone on Boundary poetically links Japan and Utah's mountains, rivers—and entanglements in the mining industry.
Ana Estrada • February 18, 2025
The artists and families tied to soon-to-be-demolished Salt Lake City murals depicting people slain by police diverge on how best to preserve their legacy.
Scotti Hill • September 19, 2024
In Memory presents the work of twenty-one artists who excavate the archives of remembrance to reveal how humans document, distort, and cling to the past.
Ana Estrada • September 17, 2024
Together, Blue Grass, Green Skies and Photo-Secession present a unique dialogue between painting and photography in new Salt Lake City exhibitions. On view through December 29, 2024.
Utah Museum of Fine Arts • September 10, 2024
While incarcerated in the Utah desert, a circle of World War II-era Japanese American artists founded an art school.
Emily Arntsen • June 07, 2024
In Oracle Bones from Red Butte Press, a writer and an artist wander the Utah wilderness to discern the future. Then it comes true.
Camille LeFevre • May 15, 2024
In a world replete with ecological catastrophe and political turmoil, the customarily inward Andrew Alba channels calamities into catharsis for his exhibition of new works at Material.
Scotti Hill • April 09, 2024
InterviewUtahVol. 9 Living Histories
Salt Lake City-based writer Paisley Rekdal discusses poetry as an archive and cultural connecter in the history of the transcontinental railroad.
Kathryne Lim • March 01, 2024
ReviewUtahVol. 9 Living Histories
Shaping Landscapes illuminates the state's history, using photography as a platform for exploring technology, identity, and activism.
Scotti Hill • March 01, 2024
Bloomberg Public Art Challenge funding will help Phoenix and Salt Lake City address climate change, and Houston examine homelessness, through temporary public art that engages artists and community members.
Lynn Trimble • November 21, 2023
Salt Lake City-based Stephanie Leitch, known for her labor-intensive and mesmerizing installations, continues honing her craft in recent exhibitions that comment on life’s murky truths.
Scotti Hill • November 13, 2023
The Mestizo Institute of Culture and Arts, a Salt Lake City organization that promotes marginalized artists, aims to revitalize its mission with a new exhibition space centered on community-based programming.
Scotti Hill • October 16, 2023
Photojournalist Russel Albert Daniels posits his family history as a bridge to larger investigations into Indigenous histories and the legacy of colonial violence and displacement in the American Southwest.
Scotti Hill • October 02, 2023
While many of the figures in UMOCA’s A Greater Utah are familiar, the ambitious scope of the project allows for new perspectives outside of the state’s metropolitan center.
Scotti Hill • September 28, 2023
Jared Steffensen, a Salt Lake City-based artist and curator, repurposes broken skateboard decks into enigmatic, nearly inexplicable sculptural artworks in the Current Work exhibition Nosey Taily and the Leftover Review.
Steve Jansen • September 25, 2023
Torrey House Press, an Intermountain West nonprofit environmental book publisher founded in 2010, renews its commitment to Western voices with a new focus on diverse perspectives.
Camille LeFevre • September 21, 2023
Studio VisitUtahVol. 8 Medium + Support
Salt Lake City–based artist Lenka Konopasek disrupts and decenters anthropocentrism with her three-dimensional paper sculptures, whose prickly paper strips instill aversion and attraction, as if growing out of the wall.
Alexander Ortega • September 01, 2023
Alexis Rausch continues raising questions about mass responses to traumatic events and how her identity comes into play through the Utah Museum of Contemporary Art exhibition Nobody likes it here.
Bianca Velasquez • August 01, 2023
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