Don’t Call it “O’Keeffe Country”: Two Pueblo Artists Take Back New Mexico’s Map
From a courtroom to the Georgia O'Keeffe Museum, Native artists Mateo Romero and Jason Garcia are correcting the records.
September 30, 2025
From a courtroom to the Georgia O'Keeffe Museum, Native artists Mateo Romero and Jason Garcia are correcting the records.
Kimberly Suina Melwani • September 30, 2025
ReviewColoradoVol. 12 Obsession
Kent Monkman’s exhibition at the Denver Art Museum is a provocative and stunning survey that champions the marginalized while subverting history.
Raymundo Muñoz • September 05, 2025
Institute of American Indian Arts leaders on turning the tides in their federal funding fight—and why it’s not over yet.
Erin Averill • August 26, 2025
While you’re in Santa Fe for Indian Market, don’t miss these Native art experiences featuring Cara Romero, Fritz Scholder, Diego Medina, and more.
Dan Ninham • August 12, 2025
To address misleading historical photos of the Navajo Nation, Albuquerque's Maxwell Museum of Anthropology tapped Diné collaborators to fill in the gaps.
Ezekiel Acosta • April 22, 2025
Local artists and art-world power players are next-door neighbors in Winslow, Arizona. Everyone and the mayor is weighing in on the town's creative direction.
Eva-Marie Hube • March 27, 2025
Discover nineteen contemporary Native artists' works at the Museum of Indian Arts & Culture's exhibition Engaging the Future, showcasing Goodman Fellowship recipients' creative excellence across multiple disciplines.
Museum of Indian Arts & Culture • March 25, 2025
PhotographyNew MexicoVol. 11 The Hyperlocal
With a keen eye and a bold approach, Shayla Blatchford’s Anti-Uranium Mapping Project confronts the damaging impact of unethical mining on Southwest Indigenous lands.
Rica Maestas • March 07, 2025
ReviewArizonaVol. 11 The Hyperlocal
A group of white New York painters blended modernist and Native-inspired aesthetics. Space Makers at the Heard Museum pairs them with historical and contemporary Native artists.
Camille LeFevre • March 07, 2025
Painter Eva Mirabal bequeathed a sealed wooden box to her son Jonathan Warm Day Coming. Its contents shaped his artistic trajectory.
Rebekah Powers • February 27, 2025
Mavasta Honyouti debuts sixteen remarkable panels bearing ancestral memories of the Native American boarding school system at Wheelwright Museum.
Olivia Amaya Ortiz • February 13, 2025
New Mexico–based artist Eric-Paul Riege chose Canal Street, a commercial thoroughfare and counterfeit market, to question notions of material value in his first New York solo exhibition.
Gabriella Angeleti • February 11, 2025
From fundraising to ceiling patches, here's how artist and curator Fawn Douglas cofounded Nuwu Art in downtown Las Vegas.
Gabriella Angeleti • January 23, 2025
The U.S. debut of a documentary by Tuan Andrew Nguyen potently combines with the museum's recent gift of Aboriginal paintings in We Were Lost in Our Country.
Gabriella Angeleti • September 24, 2024
At Smoke the Moon, two exhibitions of contemporary Indigenous artists consider histories of specific geographies and foster a dialogue countering today’s apocalyptic cynicism.
Erin Averill • September 10, 2024
FeatureNew MexicoVol. 10 Radical Futures
Drawing from his community’s roots in social commentary, Virgil Ortiz crafts a future without limitations, and his epic series Revolt 1680/2180 reaches a climax this fall.
Lillia McEnaney • September 06, 2024
Studio VisitNew MexicoVol. 10 Radical Futures
Mallery Quetawki paints cross-cultural translations that help bridge futures between Indigenous communities and science and medical professionals.
Sean J Patrick Carney • September 06, 2024
Studio VisitNew MexicoVol. 10 Radical Futures
In bold pop culture style, Santa Clara Pueblo artist Jason Garcia envisions Native futures by challenging narratives that have always kept us in the past.
Kimberly Suina Melwani • September 06, 2024
ArtistsTexasVol. 10 Radical Futures
Wills Brewer’s practice is rooted in research and documentation, emphasizing history at its most expansive, geologic scale.
Maggie Grimason • September 06, 2024
While you're in Santa Fe for Indian Market, don't miss these Native arts experiences at Container, Hecho a Mano, Museum of Indian Arts and Culture, and beyond.
Michael Abatemarco • August 13, 2024
In the first exhibition to explore Harry Fonseca’s expressions of “queerness” through his beloved character Coyote, queer-Indigenous performativity takes center stage.
Camille LeFevre • July 16, 2024
Meet the team behind the Santa Fe-based mural project that brought Jeffrey Gibson's Indigenous, queer dreamland to the Venice Biennale.
Jordan Eddy • July 09, 2024
The Town of Vail and artist Danielle SeeWalker saw very different messages in her painting G is for Genocide, sparking the cancellation of her long-planned residency.
Joshua Ware • May 17, 2024
This Museum of Northern Arizona exhibition unpacks how the marketing efforts of the Santa Fe Railroad and Fred Harvey Company romanticized and exploited the artistry and culture of Indigenous people.
Camille LeFevre • May 02, 2024
Diné artist, writer, and educator Brendan Basham approaches writing as he does life: as a process of transformation.
Aleina Grace Edwards • April 16, 2024
The IAIA Museum of Contemporary Native Arts debuts exhibitions by Greenlandic and Amazonian Indigenous artists whose work narrates threatened worlds deeply rooted in nature.
Ania Hull • March 25, 2024
Belonging: Contemporary Native Ceramics from the Southern Plains brings together works by seven artists that range from ceramic vessels to monumental sculptures to installations that radiate outward in space.
Natalie Hegert • March 19, 2024
Experience Luis Alvaro Sahagún Nuño's solo exhibition in Ogden, Utah. On view through April 21, 2024.
Ogden Contemporary Arts • March 06, 2024
Duwawisioma’s (Victor Masayesva Jr.) retrospective exhibition Màatakuyma at Andrew Smith Gallery in Tucson solidifies the Hopi artist’s importance in contemporary photographic and Indigenous artistic discourse.
Isabella Beroutsos • March 05, 2024
ArtistsArizonaVol. 9 Living Histories
Marlowe Katoney (Diné) draws on personal experience and Navajo, street, and popular culture to create weavings and paintings that defy conventional notions of beauty and Indigenous art.
Lynn Trimble • March 01, 2024
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