Each year, THE Magazine curates a list of the year's best art books. This year we've asked our contributors for their recent favorite arts reading materials. The results ranged from exhibition catalogues to memoirs, artist books to artists' writings.
December 01, 2016
One art critic from the Bay Area, Jessica Zack, referred to Cate White’s work as “vivid tragicomic painting... with its skin-in-the-game vitality” and that is what first hits you—White’s go-for-broke passion for art, life, social justice, and racial fairness. It seems that there is nothing that White won’t investigate...
December 01, 2016
Al-qobbah, “the vaulted chamber,” a recessed space, within a room or without, like a bower. “Alcove” has many applications, and the New Mexico Museum of Art has one of the best of them. The NMMA Alcoves 16/17 exhibition series comprises seven small group shows, each featuring five New Mexico artists and running for five weeks...
December 01, 2016
A new off-the-beaten-path exhibition space founded by Max Baseman, 5. Gallery has had a number of small exhibitions, primarily featuring local emerging artists. The raw, warehouse-style space is one of the latest to pop up in the budding—perhaps now burgeoning—Rufina arts district. For its next exhibition, small, a selection of small-scale...
December 01, 2016
In nightmarish political times, it’s important to keep in mind that books are more than just objects, and that the pen is always, always mightier than the sword. Pay attention to who’s reading books and who is not, to who is making them and who is burning them...
December 01, 2016
If you’re Denver-bound this ski season, the MCA Denver has a trifecta of concurrent exhibitions on view through January 29. Kim Dickey: Words Are Leaves is a major survey of work by the Boulder, CO–based artist. Primarily working in ceramics, but also other media including textile and photography...
December 01, 2016
What does it mean to represent someone else? Must we only endeavor to represent stories and people with whom we also identify? Of course not—but recent debates in art and literary circles reflect a growing sense of [...]
December 01, 2016
Franco Andreshas a thing for textures, surfaces, and sensory information. Throughout his sculptural assemblages, wax, fur, feathers, soil, or charred wood create finishes both sumptuous and visceral. The artist’s [...]
December 01, 2016
The night before the indigenous art collective Postcommodity planned on suspending twenty-six balloons along the US-Mexico Border, winds kicked up, threatening the next day’s work and the culmination of...
December 01, 2016
Matthews Gallery presents a major retrospective of Janet Lippincott, a pioneer of Southwest Modernism. Born in New York in 1918, Lippincott had attended the Art Students League of New York at age fifteen before departing for Paris where she was introduced to the work of Pablo Picasso, Henri Matisse, and other early modernists...
December 01, 2016
The presence of so many cartoon characters, plus, on one painting, the block-printed phrase “Everything Will Be OK,” might suggest that the title of this exhibition (on view through December 4) reflects a state of mind. Along with toy monkeys and a thumbs up sign, various icons of “optimism” turn out to convey a more ambiguous message...
December 01, 2016
Worldwide, we take a lot of pictures—over one trillion per year, in fact. Many of them, snapped with smartphone cameras, earn only seconds of our attention before being deleted or forgotten, replaced by the next “grammable” moment. Whether you believe...
December 01, 2016
It’s a slang thang, a vernacular spectacular from the high priest of lowbrow, Robert Williams, the top exec of Juxtapoz Art and Culture Magazine, “Big Daddy” Roth’s Art Director, and an outstanding Zap Comix original. Williams’s wild and wooly imagination is matched only by his mad skills as an oil painter. Call it Pop Surrealism...
December 01, 2016
