The box can be a thing and an idea, sometimes diffuse, other times quite literally bounded. To think outside of one is a ready adage, one of those sayings that’s so overused it’s actually lost most of its ability to make a point. But when I think about the box in this exhibition...
October 01, 2017
The bees have proven themselves remarkably commodifiable, not only through the products they manufacture that humans enjoy, like honey and beeswax, but also as a pattern, a motif, a caricature. The market loves a stripe found in nature. If panda bears are the symbol of neoliberal...
October 01, 2017
What does it mean to represent someone else? Must we only endeavor to represent stories and people with whom we also identify? Of course not—but recent debates in art and literary circles reflect a growing sense of [...]
December 01, 2016
En route from one Southwest Arts Oasis to another, determined to see the works of Doris Cross (1907-1994) in Marfa and carrying a friend's artwork in our trunk, we passed through the heart of darkness [...]
September 01, 2017
Lannan Foundation: Roni Horn’s series of photographs of the river Thames—each one capturing a different texture of the opaque and oily water—creates a portrait of the river as if it were [...]
September 01, 2017
A painter, Lewis grew up in Nova Scotia and had no formal training apart from painting postcards with her mother when she was young. Her hands, shoulders, and neck were crumpled by juvenile rheumatoid arthritis [...]
September 01, 2017
Complex patterns unfold for the viewer and richly reward time spent looking in Quilts of Southwest China. The curation of this show, which includes textiles dated from 1900 to contemporary times, expands our [...]
September 01, 2017
Tansey Contemporary: In her solo exhibition of geometric wall sculptures, Melinda Rosenberg’s lines are not always her own. The Columbus, Ohio, artist’s work is a collaboration with designers [...]
September 01, 2017
IAIA Museum of Contemporary Native Arts: A single visit to the Institute of American Indian Arts' Museum of Contemporary Native Arts is enough to prompt wonder at why those visits are not more frequent [...]
September 01, 2017
Mary Dezember: Still Howling: When I walked in to Mary Dezember’s reading for Still Howling, upstairs from the plaza in a snug gallery space run by Strangers Collective, the poet came up to me and immediately connected me with something I’d written, something about women, she said...
February 01, 2017
Peters Projects: Is it possible for an artist to exhaust the format of the self-portrait? Or are we better off asking the opposite question: are artists’ reflections on their own likeness ever enough to fully describe depth of character, change over time, or one’s psyche?...
September 01, 2017
Something I Need You To Know debuted on Wednesday, November 9, 2016, the day after the United States presidential election. During the opening reception, visitors staggered through the hallways of Santa Fe [...]
February 01, 2017
A recent exhibition at one of Santa Fe's truly contemporary galleries conveyed a tenet of what makes an art space in Santa Fe “contemporary” in the first place. The word is largely misused—by myself and [...]
February 01, 2017
UNM Art Museum: The Arctic has for so long been defined by distance, both geographically and conceptually. Called the Far North because it is far from some perceived [...]
August 01, 2017
Peters Projects: Upon entering Kent Monkman’s solo exhibition, resist the temptation to revel in the raucous party raging across monumental canvases in the [...]
August 01, 2017
IAIA MoCNA: It's like seeing an afterimage. Though you blink, a vision continues to persist even after the original ceases. Over time, these images and afterimages layer upon one another, like sediment refusing to settle[...]
August 01, 2017
The newly acquired work at the Thoma Foundation, by such artists as computer pioneer Vera Molnar, Alan Rath, Steina Vasulka, and Guillermo Galindo, unfolds in so many technological and conceptual directions [...]
August 01, 2017
form & concept: I went to Rebecca Rutstein’s Fault Lines expecting to see in her paintings a comment, a reflection, or a transformation of the [...]
August 01, 2017
IAIA Museum of Contemporary Native Arts: Claire Vaye Watkins set her 2015 novel Gold Fame Citrus in a not-so-distant future, in the aftermath of a disastrous event: the entire western United States has been engulfed by a massive sand dune [...]
July 01, 2017
Whitney Museum of American Art: At first I noticed the smell, earthy almost. Then there was shade and a flush of coolness. I had entered Rafa Esparza’s Figure/Ground: Beyond the White Field [...]
July 01, 2017
Mayeur Projects: I imagine them as children: O’Bryan on the sidewalk, rubbing the concrete with chalk, while Ross sits in the grass and fries ants with a magnifying glass. This comes to me only after [...]
July 01, 2017
Freeform Art Space: Freeform Art Space is what you’d call “off the beaten path.” Way off the beaten path. Not only is it off of Cerrillos Road past Siler, but the only individuals likely to stumble into [...]
July 01, 2017
No Land Gallery: There is one segment in the episodic Bayeux Tapestry—the famous 230-foot long textile (ca. 1070-1080) that depicts the Battle of Hastings in 1066 [...]
June 01, 2017
Center for Contemporary Arts: In the early 1970s I worked on a radio show at KPFA in Berkeley called Unlearning to Not Speak. It was a historical moment when educated, middle-class, Western women articulated how we had been silenced [...]
June 01, 2017
Mill Contemporary: Mayor Javier Gonzales knows as well as any Santa Fesino that we can ill afford to part with funding of any sort, but he, along with several other mayors across the nation, has maintained a steadfast stance [...]
June 01, 2017
5. Gallery:
June 01, 2017
Art.i.fact Gallery: Fukuda Chiyo-ni’s famous haiku bloomed from the mists of Edo Period Japan to inspire Ilona Pachler’s solo exhibition [...]
June 01, 2017
David Richard Gallery: The Park Place Gallery is probably not as prominent as it should be in the art-historical canon. Founded in 1962 by nine artists working in New York City, many of whom were recent West Coast transplants, the gallery’s program was decidedly anti-dogmatic [...]
April 01, 2017
The Women’s International Study Center (WISC) and form + concept gallery collaborated to present a lecture by Chad Alligood, curator at the Crystal Bridges Museum of American Art [...]
April 01, 2017
Center for Contemporary Arts: How do you sum up a solo exhibition? You could measure it in studio hours, or leagues of thought. Jill O’Bryan counted Mapping Resonance in breaths [...]
April 01, 2017
