
Queering Cowboy Culture with José Villalobos: It’s a Quick, Rough Ride
José Villalobos: Rough Rider at Arizona State University queers the traditional masculinity inherent in cowboy culture’s objects of desire.
May 08, 2025
José Villalobos: Rough Rider at Arizona State University queers the traditional masculinity inherent in cowboy culture’s objects of desire.
Camille LeFevre • May 08, 2025
Hank Willis Thomas's LOVERULES offers a comprehensive survey of a decade's worth of artwork but flounders in our current political crisis.
Angella d'Avignon • May 02, 2025
Drift///Hold is the ambitious inaugural exhibition of Central Standard in Tulsa with major new works by five compelling early-career artists.
Kate Green • April 11, 2025
ReviewUtahVol. 11 The Hyperlocal
Arleene Correa Valencia’s exhibition at the Utah Museum of Fine Arts reveals the indelible imprint of growing up as an undocumented migrant through personal writings, photographs, and textiles.
Ana Estrada • March 07, 2025
ReviewNew MexicoVol. 11 The Hyperlocal
Ten years of podcast guests contribute to this multimedia exhibition at Albuquerque Museum, foregrounding the playful possibilities of socially engaged art.
Maggie Grimason • March 07, 2025
ReviewTexasVol. 11 The Hyperlocal
In Fort Worth—known as “Cowtown”—the exhibition Cowboy at the Amon Carter made waves by reimagining the mythology surrounding the American cowboy.
Emma S. Ahmad • March 07, 2025
ReviewArizonaVol. 11 The Hyperlocal
A group of white New York painters blended modernist and Native-inspired aesthetics. Space Makers at the Heard Museum pairs them with historical and contemporary Native artists.
Camille LeFevre • March 07, 2025
ReviewColoradoVol. 11 The Hyperlocal
Ugo Rondinone, creator of Las Vegas’s Seven Magic Mountains, returns to the American West with more rainbows and a light touch.
Jordan Eddy • March 07, 2025
In what Time Travel feels like, sometimes, New Mexico–based artist Erika Wanenmacher's major solo exhibition at SITE Santa Fe, the artist collapses the distance between the mystical and the everyday.
Lauren Tresp • January 21, 2025
Wicked Wells and Window Wipeouts traps the viewer between a hard place and a sunken one—but its ambiguity offers a different kind of freedom.
Ryan Hawk • January 09, 2025
Las Vegas–raised painter eri king co-opts the persuasive powers of gambling hall interior design at Available Space Art Projects.
Alejandra Lara • December 10, 2024
The desert—in all of its arid, minimalist, color-block permutations—permeates this selection of Surrealist artworks.
Camille LeFevre • November 19, 2024
Cybele Lyle attempts, in confounding and curious ways, to queer desert landscapes in her current installation Cybele Lyle: Floating Seeds Make Deep Forms.
Camille LeFevre • October 17, 2024
Sam Grabowska’s Haptic Terrain at Leon Gallery explores how our bodies, oftentimes in grotesque fashion, mutate in contemporary capitalist culture.
Joshua Ware • October 08, 2024
Dario Robleto’s wide-ranging reach—in which the deepest interiors and most distant exteriors mix with popular culture and early analog media—is getting more articulate with each pass.
Hills Snyder • September 27, 2024
In Memory presents the work of twenty-one artists who excavate the archives of remembrance to reveal how humans document, distort, and cling to the past.
Ana Estrada • September 17, 2024
At Smoke the Moon, two exhibitions of contemporary Indigenous artists consider histories of specific geographies and foster a dialogue countering today’s apocalyptic cynicism.
Erin Averill • September 10, 2024
ReviewColoradoVol. 10 Radical Futures
Anchored by imagery from Bears Ears National Monument, Fazal Sheikh's exhibition at the Denver Art Museum explores the dichotomy of beauty and destruction in the Southwest.
Deborah Ross • September 06, 2024
ReviewTexasVol. 10 Radical Futures
The de la Torre Brothers deliver a feast for the eyes—and warnings for the future—in their witty and maximalist exhibition at McNay Art Museum.
Emma S. Ahmad • September 06, 2024
ReviewArizonaVol. 10 Radical Futures
PORTALS at the Museum of Contemporary Art Tucson in Arizona features new works by California-based artist Fay Ray, who imagines radical futures in the Sonoran Desert and Southwest borderlands.
Lynn Trimble • September 06, 2024
ReviewNew MexicoVol. 10 Radical Futures
Off-Center at Vladem Contemporary is a three-decade survey of New Mexico art with myriad bright spots—but how are they connected?
Jordan Eddy • September 06, 2024
ReviewUtahVol. 10 Radical Futures
In the Shadow of the Wall at the Kimball Art Center offers poignant and playful perspectives on the border wall, beyond political controversy.
Ana Estrada • September 06, 2024
Iconoclasm is a mercy in Teresita Fernández/Robert Smithson, clearing the view of both conceptual artists and their groundbreaking legacies.
Jordan Eddy • August 27, 2024
Teresa Hubbard and Alexander Birchler's colossal new video installation, Past Deposits from a Future Yet to Come, dramatically explores the archeological record of Austin's Waller Creek.
Gene Fowler • August 20, 2024
Tina Mion ventures into unexplored territory in her exhibition Departures, through death spoon sculptures and paintings about her brother’s death.
Camille LeFevre • August 13, 2024
Even the propaganda is sabotaged in Multiple Realities, a Soviet spy novel of an exhibition at Phoenix Art Museum.
Jordan Eddy • August 06, 2024
California-based artist Carolina Aranibar-Fernández explores colonization, extraction, and exploitation in the Southwest in her exhibition Oleaje at Scottsdale Museum of Contemporary Art in Arizona.
Lynn Trimble • July 30, 2024
I Regret to Inform You: Rejected Public Art explores the process of applying to and proposing a public art project, while grappling with the ubiquity of rejection.
Joshua Ware • July 23, 2024
In the first exhibition to explore Harry Fonseca’s expressions of “queerness” through his beloved character Coyote, queer-Indigenous performativity takes center stage.
Camille LeFevre • July 16, 2024
"Biophilic design," which emulates the natural environment, is undoubtedly having a moment. So how does the Denver Art Museum’s latest design exhibition expand on this discourse?
Emma S. Ahmad • July 05, 2024
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