Abstraction, Accumulation, and Activism: Three Artists Confront the Dangers of Extraction
In Shifting Topographies, three artists’ varied approaches find common ground in exposing the deadly threat of extractive industries.
November 26, 2025
In Shifting Topographies, three artists’ varied approaches find common ground in exposing the deadly threat of extractive industries.
Camille LeFevre • November 26, 2025
Cecilia Alemani rolled out an exhibition like no other in Santa Fe—its visionary weirdness will hit everyone a bit different.
Natalie Hegert • November 20, 2025
Safwat Saleem uses satire to share his experiences as an immigrant father living with cultural assimilation and loss in the 2024 Arizona Artist Awards exhibition at Phoenix Art Museum.
Lynn Trimble • November 06, 2025
A series of still life photographs by late San Antonio artist Chuck Ramirez capture the essence of a Texas community and subculture.
Emma S. Ahmad • October 23, 2025
In his first museum exhibition, Burying Painting, James Perkins shows evanescent process- and land-based artworks "harvested" from the Atlantic Ocean and the Sonoran Desert.
Camille LeFevre • October 07, 2025
ReviewNew MexicoVol. 12 Obsession
Natural entropy is a tool—and a sustainable ethos—for ten artists in Abstracting Nature at the Albuquerque Museum.
Robin Babb • September 05, 2025
Curator Fabiola Iza brings together eleven artists for an exhibition that investigates the shadowy corners of perception.
Nicholas Frank • September 05, 2025
ReviewColoradoVol. 12 Obsession
Kent Monkman’s exhibition at the Denver Art Museum is a provocative and stunning survey that champions the marginalized while subverting history.
Raymundo Muñoz • September 05, 2025
In Step After Step at Kimball Art Center, artists leave their studios behind to claim the moving body as a revolutionary artistic method.
Ana Estrada • September 05, 2025
ReviewArizonaVol. 12 Obsession
Artists working along the U.S.-Mexico border bring the rasquachismo aesthetic to Ya Hecho: Readymade in the Borderlands as the U.S. government escalates its anti-immigrant stance.
Lynn Trimble • September 05, 2025
Lynn Hershman Leeson has long prepared for the AI revolution. In Nevada, she channels warnings and hope through digital personas.
Max Stone • July 08, 2025
In two successive solo exhibitions, Taiwanese artist Lu Wei traces a wild pilgrimage through the shadows of motherhood into the searing heat of the Utah desert landscape.
Ana Estrada • June 26, 2025
Aisha Imdad’s exhibition of paintings, The Allegorical Gardens, is a stunning display of virtuosity and literary allusion.
Thao Votang • June 17, 2025
José Villalobos: Rough Rider at Arizona State University queers the traditional masculinity inherent in cowboy culture’s objects of desire.
Camille LeFevre • May 08, 2025
Hank Willis Thomas's LOVERULES offers a comprehensive survey of a decade's worth of artwork but flounders in our current political crisis.
Angella d'Avignon • May 02, 2025
Drift///Hold is the ambitious inaugural exhibition of Central Standard in Tulsa with major new works by five compelling early-career artists.
Kate Green • April 11, 2025
ReviewUtahVol. 11 The Hyperlocal
Arleene Correa Valencia’s exhibition at the Utah Museum of Fine Arts reveals the indelible imprint of growing up as an undocumented migrant through personal writings, photographs, and textiles.
Ana Estrada • March 07, 2025
ReviewNew MexicoVol. 11 The Hyperlocal
Ten years of podcast guests contribute to this multimedia exhibition at Albuquerque Museum, foregrounding the playful possibilities of socially engaged art.
Maggie Grimason • March 07, 2025
ReviewTexasVol. 11 The Hyperlocal
In Fort Worth—known as “Cowtown”—the exhibition Cowboy at the Amon Carter made waves by reimagining the mythology surrounding the American cowboy.
Emma S. Ahmad • March 07, 2025
ReviewArizonaVol. 11 The Hyperlocal
A group of white New York painters blended modernist and Native-inspired aesthetics. Space Makers at the Heard Museum pairs them with historical and contemporary Native artists.
Camille LeFevre • March 07, 2025
ReviewColoradoVol. 11 The Hyperlocal
Ugo Rondinone, creator of Las Vegas’s Seven Magic Mountains, returns to the American West with more rainbows and a light touch.
Jordan Eddy • March 07, 2025
In what Time Travel feels like, sometimes, New Mexico–based artist Erika Wanenmacher's major solo exhibition at SITE Santa Fe, the artist collapses the distance between the mystical and the everyday.
Lauren Tresp • January 21, 2025
Wicked Wells and Window Wipeouts traps the viewer between a hard place and a sunken one—but its ambiguity offers a different kind of freedom.
Ryan Hawk • January 09, 2025
Las Vegas–raised painter eri king co-opts the persuasive powers of gambling hall interior design at Available Space Art Projects.
Alejandra Lara • December 10, 2024
The desert—in all of its arid, minimalist, color-block permutations—permeates this selection of Surrealist artworks.
Camille LeFevre • November 19, 2024
Cybele Lyle attempts, in confounding and curious ways, to queer desert landscapes in her current installation Cybele Lyle: Floating Seeds Make Deep Forms.
Camille LeFevre • October 17, 2024
Sam Grabowska’s Haptic Terrain at Leon Gallery explores how our bodies, oftentimes in grotesque fashion, mutate in contemporary capitalist culture.
Joshua Ware • October 08, 2024
Dario Robleto’s wide-ranging reach—in which the deepest interiors and most distant exteriors mix with popular culture and early analog media—is getting more articulate with each pass.
Hills Snyder • September 27, 2024
In Memory presents the work of twenty-one artists who excavate the archives of remembrance to reveal how humans document, distort, and cling to the past.
Ana Estrada • September 17, 2024
At Smoke the Moon, two exhibitions of contemporary Indigenous artists consider histories of specific geographies and foster a dialogue countering today’s apocalyptic cynicism.
Erin Averill • September 10, 2024
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