Keith Haring’s City-Spanning Phoenix Takeover Almost Didn’t Happen
Keith Haring was a Phoenix teacher's second choice for a 1986 art workshop, but the invite made a major mark on the city.
January 14, 2025
Keith Haring was a Phoenix teacher's second choice for a 1986 art workshop, but the invite made a major mark on the city.
Lynn Trimble • January 14, 2025
The Arizona-born artist’s MOCA Tucson exhibition draws inspiration (and soil) from the Santa Cruz River, melding body and land.
Camille LeFevre • December 23, 2024
The School of Art at ASU advances generative art practices driven by research, ideas, and effective public engagement. Attend an info session on December 6, 2024, and apply by January 15, 2025.
Arizona State University School of Art • November 22, 2024
The desert—in all of its arid, minimalist, color-block permutations—permeates this selection of Surrealist artworks.
Camille LeFevre • November 19, 2024
Tiffany Fairall, former chief curator of Mesa Contemporary Arts Museum in Arizona, sues the City of Mesa in the aftermath of censorship allegations.
Lynn Trimble • November 05, 2024
Black artists imagine radical futures through hope, healing, and history in Reclaiming Hope: Afrofuturist Visions.
Lynn Trimble • October 29, 2024
Cybele Lyle attempts, in confounding and curious ways, to queer desert landscapes in her current installation Cybele Lyle: Floating Seeds Make Deep Forms.
Camille LeFevre • October 17, 2024
The traveling exhibition ARX3 pairs artists and scientists, while Brains and Beauty at SMoCA draws on neuroaesthetics, to visualize transformative research.
Lynn Trimble • October 10, 2024
Flagstaff-based artist Shawn Skabelund returns to the storm-swept ravine that birthed his latest show—and explains what a squirrel stick is—in an intrepid studio visit.
Camille LeFevre • September 26, 2024
Graves for the Rain and 500 Places at Once blend sound, performance, and poetry engaging visitors in ecological narratives. On view through February 16, 2025.
Museum of Contemporary Art Tucson • September 24, 2024
The Hamrah Arts Club, founded by artist Nazafarin Lotfi, uses art and creative expression to foster solidarity between refugee and asylum-seeking communities for youth in Tucson.
Lara Schoorl • September 13, 2024
FeatureArizonaVol. 10 Radical Futures
Seeking fresh hope in the 20th-century futurisms of Arizona architectural marvels Biosphere 2, Taliesin West, and Arcosanti.
Jordan Eddy • September 06, 2024
ArtistsArizonaVol. 10 Radical Futures
Phoenix-based designer and interdisciplinary artist Wabwila Mugala uses chitenge fabric to build a unique visual glossary of diasporic symbols.
Gina Pugliese • September 06, 2024
ArtistsArizonaVol. 10 Radical Futures
Arizona-based artist Jimmy Fike asks, what will the end of the world like like? His answer is weird—and weirdly hopeful.
Justin Duyao • September 06, 2024
ArtistsArizonaVol. 10 Radical Futures
Tra Bouscaren blends critiques of waste culture with "dark beauty" in maximalist installations that speak to 21st-century paranoia.
Lynn Trimble • September 06, 2024
ReviewArizonaVol. 10 Radical Futures
PORTALS at the Museum of Contemporary Art Tucson in Arizona features new works by California-based artist Fay Ray, who imagines radical futures in the Sonoran Desert and Southwest borderlands.
Lynn Trimble • September 06, 2024
With a nod to Andy Warhol's most raucous series, this Scottsdale show of contemporary Native art explodes expectations of medium and message.
Camille LeFevre • August 08, 2024
Even the propaganda is sabotaged in Multiple Realities, a Soviet spy novel of an exhibition at Phoenix Art Museum.
Jordan Eddy • August 06, 2024
California-based artist Carolina Aranibar-Fernández explores colonization, extraction, and exploitation in the Southwest in her exhibition Oleaje at Scottsdale Museum of Contemporary Art in Arizona.
Lynn Trimble • July 30, 2024
Artists and poets from Indigenous nation bisected by U.S.-Mexico border join with myriad voices to counter borderland crisis narratives in Tucson.
Lynn Trimble • July 18, 2024
In the first exhibition to explore Harry Fonseca’s expressions of “queerness” through his beloved character Coyote, queer-Indigenous performativity takes center stage.
Camille LeFevre • July 16, 2024
New exhibition Materializing Mormonism at Mesa Contemporary Arts Museum has ties to the Center for Latter-day Saint Arts.
Lynn Trimble • June 24, 2024
Artist Christina You-sun Park becomes executive director of Arizona Commission on the Arts, just as its state funding is slashed by 60%.
Lynn Trimble • June 19, 2024
A new book from Hatje Cantz, The Snake and the Lightning: Aby Warburg's American Journey, enlivens the German art historian's trek to the Southwest in 1895-96.
Gene Fowler • June 14, 2024
Phoenix-based artist Annie Lopez's brilliant blue dress forms—tailored from cyanotypes on tamale paper—embody personal, familial, and cultural histories.
Lynn Trimble • May 08, 2024
This Museum of Northern Arizona exhibition unpacks how the marketing efforts of the Santa Fe Railroad and Fred Harvey Company romanticized and exploited the artistry and culture of Indigenous people.
Camille LeFevre • May 02, 2024
Photographer Maria Nancy Thomas and poet Rashaad Thomas, a creative couple based in South Phoenix, are using their work to explore a region brimming with the histories of marginalized communities.
Lynn Trimble • April 18, 2024
Francisco González Castro: Does Not Say «I», But Does «I»: Bodies, Limits and Transgressions at the Coconino Center compiles a decade of the artist’s endurance work challenging social structures.
Camille LeFevre • April 08, 2024
Clottee Hammons, the Phoenix artist, curator, and knowledge-keeper who leads Emancipation Arts, has spent decades elevating Black history, arts, and culture while combatting historical and contemporary racism in Arizona.
Lynn Trimble • March 22, 2024
Duwawisioma’s (Victor Masayesva Jr.) retrospective exhibition Màatakuyma at Andrew Smith Gallery in Tucson solidifies the Hopi artist’s importance in contemporary photographic and Indigenous artistic discourse.
Isabella Beroutsos • March 05, 2024
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