Jessi Cross’s Flow of Wildlife Releases A River of Creatures in the Santa Fe Railyard Park
Santa Fe–based artist Jessi Cross brings woodcut prints of roadrunners, bobcats, and more to Flow of Wildlife, a public mural at Railyard Park.
April 27, 2026
Santa Fe–based artist Jessi Cross brings woodcut prints of roadrunners, bobcats, and more to Flow of Wildlife, a public mural at Railyard Park.
Railyard Park Conservancy • April 27, 2026
Ephemeral Collective's roving performance festival in Moab holds lessons in pooling resources to shape a tiny counterculture.
Emily Arntsen • April 23, 2026
Clever conceit or curatorial cop-out? In Cassidy Araiza / Robert Barry / Jocko Weyland, experiment and open-endedness might be the objective.
Matthew Erickson • April 21, 2026
Now in its 17th edition, CURRENTS Art & Technology Festival returns to Santa Fe, June 12–21, 2026, presenting works by seventy-one international artists working in installation, performance, or immersive media.
Currents New Media • April 21, 2026
After decades of decline and political inaction at Great Salt Lake, Olafur Eliasson flies in with a temporary public art project. Can this art-world Hail Mary provoke positive change?
Hikmet Sidney Loe • April 16, 2026
As Phoenix overhauls its mural directives, local artists are weighing how more structure could professionalize—or narrow—the field.
Lynn Trimble • April 14, 2026
This June, a two-day event at the Albuquerque Museum connects artists with archivists, attorneys, curators, and fellow artists to build real strategies for long-term legacy planning.
Legacy Lab New Mexico • April 13, 2026
Marisa Sage’s art-is-for-everybody mandate might sound utopian, but at the helm of New Mexico’s most historically freighted museum, it's a massive administrative challenge.
Jordan Eddy • April 09, 2026
In the 1980s, Pueblo artist Jody Folwell jolted Santa Fe Indian Market with political ceramics. Amid her retrospective, she's already pushing toward the next sharp statement.
Camille LeFevre • April 07, 2026
From Sam Scott's post-war paintings to Larry Bell and Susanna Fritscher's preoccupations with light and space, Pie Projects Contemporary Art's spring–summer season includes resonant exhibitions accompanied by a series of artist conversations.
Pie Projects Contemporary Art • April 07, 2026
Yes &..., curated by Tobias Fike and Donald Fodness, advocates for human ingenuity in the face of AI ascendance. But is that a sufficient curatorial framework?
Madeleine Boyson • April 02, 2026
New Mexico Governor vetoes arts-related funding, Colorado lawmakers propose artist-first business bill, and more top Southwest art news for April 2026.
Jordan Eddy • April 01, 2026
Founder of the Office of Collecting and Design Jessica Oreck talks about the museum’s move into a trailer, her collecting origins, and how she meets her community on the road.
Renée Reizman • March 31, 2026
Looking for a spiritual awakening this spring? Arts editor Natalie Hegert traces a visionary and esoteric throughline among thirty-seven of this season’s top exhibitions.
Natalie Hegert • March 27, 2026
Eunika Rogers' Komorebi exhibition features original aspen paintings made with hand-harvested earth pigments and natural clay on canvas.
Blue Rain Gallery • March 30, 2026
Tierras Reimaginadas: Migration at ASU Art Museum centers immigrant voices and reimagines migration across species, cultures, geographies, and time.
Lynn Trimble • March 26, 2026
From Georgia O'Keeffe to Allan Houser, Santa Fe County has been home to artists whose work is inseparable from the land, culture, and communities that shaped it.
Santa Fe County • March 23, 2026
Through a tethered balloon camera, Anika Todd surveys Nevada's intertwined histories of speed, surveillance, and war.
Anika Todd • March 20, 2026
An archeologist seeks the carvings of a 20th-century sheepherder, tracing stories of lust and loss across a threatened landscape.
Chris Shaw • March 20, 2026
FeatureNew MexicoVol. 13 The Road
On a road trip across the former rangelands of the American bison, Cannupa Hanska Luger envisions a new monument.
Kimberly Suina Melwani • March 20, 2026
FeatureSouthwestVol. 13 The Road
A million-dollar gambit in New Mexico is one of many small-town projects chasing the fabled success of Marfa, Texas. Can it actually be replicated?
Jordan Eddy • March 20, 2026
FeatureNew MexicoVol. 13 The Road
Poet Laura Neal discovers new roads in the collected works of Albuquerque-based artist Johannes Barfield exploring alternative states of being and imagining in Black culture.
Laura Neal • March 20, 2026
Wagon tracks of the doomed Donner Party, detritus of present-day migration, football stadiums as future ruins—Sean J. Patrick Carney traces archeological strategies invoking the Southwest’s complicated past, present, and futures.
Sean J Patrick Carney • March 20, 2026
From the EditorVol. 13 The Road
Southwest Contemporary: The Road reconstitutes even the busiest Southwest arteries as byways that tether far-flung places and people.
Jordan Eddy and Natalie Hegert • March 20, 2026
The “largest art installation in the world” covers the land in Texas once shared by bison, Comanche, and their horses. As a memorial, it represents but does little to repair.
Natalie Hegert • March 20, 2026
InterviewTexasVol. 13 The Road
Artist and activist Nansi Guevara on how art can help protect the Rio Grande Delta from colonial encroachment in Brownsville, Texas.
Rica Maestas • March 20, 2026
Phoenix Art Museum presents forty paintings by Eric Fischl, a New Yorker who seems magnetically drawn to the Valley of the Sun—in all its joy and strangeness.
Royal Young • March 20, 2026
Field ReportColoradoTravelVol. 13 The Road
Colorado’s “second city” has a rich and historic art scene, often overshadowed by the city’s contemporary connections to sports, tech, and the military.
Parker Yamasaki • March 20, 2026
Studio VisitNew MexicoVol. 13 The Road
Route 66 survives in fragments. In a handmade atlas, Willie Lambert pieces New Mexico's 500-mile stretch back together.
Peter Warzel • March 20, 2026
Studio VisitArizonaVol. 13 The Road
Working in her Tucson, Arizona studio, artist Alanna Airitam counters cultural erasure with a photographic series highlighting the Chosen Few, the nation’s first racially integrated outlaw motorcycle club.
Lynn Trimble • March 20, 2026
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