ArtistsColoradoVol. 11 The Hyperlocal
The Hyperlocal: Sammy Lee
Denver-based artist Sammy Lee makes highly portable sculptures from paper, but a longing for home is embedded in her materials.
March 07, 2025
ArtistsColoradoVol. 11 The Hyperlocal
Denver-based artist Sammy Lee makes highly portable sculptures from paper, but a longing for home is embedded in her materials.
Joshua Ware • March 07, 2025
ArtistsTexasVol. 11 The Hyperlocal
Laredo-based artist Gil Rocha uses found objects from his Texas neighborhood and items purchased across the U.S.-Mexico border to capture the duality of the region.
Jessica Fuentes • March 07, 2025
ArtistsNew MexicoVol. 11 The Hyperlocal
Albuquerque-based artist Max Sorenson follows real and imaginary lines that enmesh the world, from bark beetle tracks to a human-made survey system, "feeling for tension."
Maggie Grimason • March 07, 2025
ArtistsNew MexicoVol. 11 The Hyperlocal
Santa Fe–based artist Edie Tsong explores lineage through repeated strokes of ballpoint pen, revealing the spaces where our inner lives overlap to create new shapes.
Maggie Grimason • March 07, 2025
ArtistsArizonaVol. 11 The Hyperlocal
Urgent Care Art’s pop-ups in quotidian Tucson spaces juxtapose the healing and fear inherent to queer visibility.
Jordan Eddy • March 07, 2025
ReviewUtahVol. 11 The Hyperlocal
Arleene Correa Valencia’s exhibition at the Utah Museum of Fine Arts reveals the indelible imprint of growing up as an undocumented migrant through personal writings, photographs, and textiles.
Ana Estrada • March 07, 2025
ReviewNew MexicoVol. 11 The Hyperlocal
Ten years of podcast guests contribute to this multimedia exhibition at Albuquerque Museum, foregrounding the playful possibilities of socially engaged art.
Maggie Grimason • March 07, 2025
ReviewTexasVol. 11 The Hyperlocal
In Fort Worth—known as “Cowtown”—the exhibition Cowboy at the Amon Carter made waves by reimagining the mythology surrounding the American cowboy.
Emma S. Ahmad • March 07, 2025
ReviewArizonaVol. 11 The Hyperlocal
A group of white New York painters blended modernist and Native-inspired aesthetics. Space Makers at the Heard Museum pairs them with historical and contemporary Native artists.
Camille LeFevre • March 07, 2025
ReviewColoradoVol. 11 The Hyperlocal
Ugo Rondinone, creator of Las Vegas’s Seven Magic Mountains, returns to the American West with more rainbows and a light touch.
Jordan Eddy • March 07, 2025
EssayNew MexicoVol. 11 The Hyperlocal
Bruce Nauman’s Center of the Universe on the campus of the University of New Mexico inspires a personal ritual and creative essay that asks us to reconnect to the environment and ourselves.
Christina Cook • March 07, 2025
EssayUtahVol. 11 The Hyperlocal
How a lost-and-found neon dragon on Ogden's main drag shaped one family's mythology—and captured a community's heart.
Jennifer Primbs • March 07, 2025
EssayNew MexicoVol. 11 The Hyperlocal
Jesse Littlebird’s Petrolglyph moves in place, expanding horizons on the future of New Mexican lowriding and American car culture through Indigenous art.
Madison Garay • March 07, 2025
InterviewNew MexicoVol. 11 The Hyperlocal
Nonagenarian artist Jerry West on New Mexico homesteading, dream work, and adobe architecture as sculpture.
Patrick Kikut • March 07, 2025
Santa Fe mourns Gene Hackman, Austin's Big Medium closes, another staff departure from CCA Santa Fe, and more top Southwest art news headlines for March 2025.
Jordan Eddy • March 04, 2025
Painter Eva Mirabal bequeathed a sealed wooden box to her son Jonathan Warm Day Coming. Its contents shaped his artistic trajectory.
Rebekah Powers • February 27, 2025
Tomiko Jones's solo exhibition at the Center for Visual Art at MSU Denver features lens-based investigations of place and examines the notion of national belonging as it intersects with the American landscape.
Center for Visual Art at MSU Denver • February 25, 2025
"You can’t show art if no one can afford to make it," says Brett Matarazzo of BRDG Project, an arts nonprofit that just left its second location—with nowhere else to land.
Madeleine Boyson • February 25, 2025
Over 200 arts leaders descend on Austin's Capitol to dispense Texas charm—and return-on-investment pitches—for state funding at Texas Arts Advocacy Day.
Natalie Hegert • February 20, 2025
Yasuaki Onishi's site-specific installation Stone on Boundary poetically links Japan and Utah's mountains, rivers—and entanglements in the mining industry.
Ana Estrada • February 18, 2025
The Santa Fe Railyard Art Project's latest installation is a playful structure by artist James Gould that evokes agricultural heritage and places of shelter.
Railyard Park Conservancy • February 18, 2025
Mavasta Honyouti debuts sixteen remarkable panels bearing ancestral memories of the Native American boarding school system at Wheelwright Museum.
Olivia Amaya Ortiz • February 13, 2025
Larry Madrigal, the UNM College of Fine Arts Frederick Hammersley Visiting Artist, presents an artist talk and open studio in Albuquerque this spring.
UNM Art Department and Frederick Hammersley Foundation • February 13, 2025
New Mexico–based artist Eric-Paul Riege chose Canal Street, a commercial thoroughfare and counterfeit market, to question notions of material value in his first New York solo exhibition.
Gabriella Angeleti • February 11, 2025
Apply for artist residencies with spring 2025 deadlines in Arizona, Colorado, Nevada, New Mexico, Texas, Utah, Oklahoma, California, and beyond.
Alejandra Lara and Naomi Eldridge • February 10, 2025
Nancy Stoaks of Park City's Kimball Art Center wrote her thesis on artistic rabble-rouser Niki de Saint Phalle, sparking a career-long fight for the underdogs.
Ana Estrada • February 06, 2025
The City of Tempe says there are no plans to demolish DIY arts hub Danelle Plaza, but the mayor is sending different signals. Local artists are demanding clarity.
Lynn Trimble • February 04, 2025
Jaune Quick-to-See Smith dies, Texas officials seize Sally Mann photos, and more top Southwest art news headlines for January and February 2025.
Jordan Eddy • February 04, 2025
Artist Jon Revett makes a pilgrimage to see his mentor Larry Bell's career retrospective in Phoenix, and view what the Light and Space master calls his last cube in Taos.
Jon Revett • January 30, 2025
Robert Washington-Vaughns dumped the "capitalistic dream" to start Black Men Flower Project, a fanciful gifting initiative with the muscle of a mutual aid organization.
Jordan Eddy • January 28, 2025
Copyright © 2026 Southwest Contemporary