Doug Glovaski, Verne Stanford, Ron Pokrasso
What a felicitous curatorial idea, the juxtaposition of this trio of artists. Pokrasso, Stanford, and Glovaski continue to explore new media...
What a felicitous curatorial idea, the juxtaposition of this trio of artists. Pokrasso, Stanford, and Glovaski continue to explore new media... By Marina La Palma
Let us sing the praises of art galleries who dare set up shop in risky neighborhoods... By Kathryn M Davis
Lowrider Summer brought an onslaught of exhibitions, parades, and events to Santa Fe in 2016, but don’t let lowrider burn-out set in just yet... By Southwest Contemporary
When I think of Mabel Dodge Luhan and her company, celestial analogies spring to mind: a constellation of disparate personalities, a system of spinning bodies suspended and connected, held in balance by the gravitational force of a central figure whose brilliance is both perilous and life-giving... By Elaine Ritchel
Fictitious Fiber. Exactly. The closest thing to a thread or a filament in this exhibition is likely the nylon fishing line used to weave elements in two of the works. By Susan Wider
Throughout the sprawling, cavernous gallery spaces of downtown LA’s Geffen MOCA, the haunting doo-wop coos of “I Only Have Eyes for You” follow viewers everywhere... By Southwest Contemporary
Earl McBride works across a variety of moods, methods, and vibrations—predominantly in the realm of abstract painting. Throughout, his layered markmaking against clean white or softly patinaed panels creates compositions that buzz with tension. In more vigorous pieces, pigment and line are suspended, about to collide in a frenzy... By Clayton Porter and Lauren Tresp
It was John Seabrook’s profile of singer Tanya Tagaq in The New Yorker that introduced me to her work as a contemporary performer. Seabrook went on to write, “Tagaq is an Inuit throat singer, and she was in the city for a performance... a jaw-dropping forty-five minutes of guttural heaves, juddering howls, and murderous shrieks—Inuit folk meets Karen Finley."... By Diane Armitage
One day, when she was in her twenties, Roxanne Swentzell paced a barren corner of her grandmother’s land at Santa Clara Pueblo. She was a homeless, single mother of two... By Jordan Eddy
Nüart Gallery, Santa Fe October 7-30, 2016 evolution of a sculptor (or of almost any artist, for that matter) is a series of comprehensible and logical steps leading to a fully […] By Ann Landi
Copyright © 2023 Southwest Contemporary
Site by Think All Day
369 Montezuma Ave, #258
Santa Fe, NM, 87501
info@southwestcontemporary.com
505-424-7641