For us the journey to Naoshima, the art island of Japan in the Seto Inland Sea, will necessarily be long. You’ll have taken a plane or two or three, a Shinkansen, a train, a bus, a ferry, a shuttle. You’ll have overcome the inevitable travel dramas of buying the right...
June 02, 2018
Welcome to another issue of The Magazine! This issue is anchored by a number of diverse features that span painting, art travel, performance, and more: Clayton Porter and Chelsea Weathers made the trek up to El Rito to visit the studio of Shane Tolbert for the “Studio Visit...
June 01, 2018
Every now and then modern societies erupt in what Noam Chomsky calls “outbreaks of democracy.” These can take many forms, from political revolution to resistance, and various art movements can be viewed as versions of such outbreaks. Eventually, outbreaks are suppressed...
June 01, 2018
“This rock formation is forty million years old.” Shane Tolbert is guiding me through a narrow passage whose walls contain countless miniscule pebbles and stones—remnants of a mudslide caused by a rush of prehistoric water that cut through the area around the Colorado...
June 01, 2018
Futurition Santa Fe is a collaborative effort to bring awareness to a number of events taking place across several Santa Fe institutions and businesses that involve the intersections of art, science, and technology. The primary participants include Santa Fe Institute, Currents New Media, the Thoma Foundation (Art House), form & concept...
June 01, 2018
The Harwood Museum of Art in Taos is gearing up for a large-scale exhibition of local luminary Larry Bell’s work. The show, titled Hocus, Focus and 12, is curated by Gus Foster, Taos photographer and Bell’s friend and collaborator. Highlights of the exhibition...
June 01, 2018
A good liar works elements of truth into his lies. A great liar uses big lies to make his small lies more credible. These day, there are liars everywhere you go, even in the wine world. Why would anyone lie about wine? To sell you wines you don’t want. The good news?...
June 01, 2018
Laura Gilpin saw the landscape of the Southwest as a constitutive element of the human cultures that formed there. Among the few women artists who took active part in landscape photography in the early and mid-twentieth century, Gilpin’s photos stand out against the pristine...
June 01, 2018
Soon after moving to northern New Mexico, almost seven years ago, and after doing a welter of studio visits, I noted the number of exceptional draftspersons in the area and pulled together a proposal for a show of drawings by artists who live in the general area of Taos...
June 01, 2018
National Hispanic Cultural Center: Identity. It’s one of those words, concepts, ways of making sense of the world and ourselves that could fill volumes. Indeed, volumes of stories: self-made, inherited, or, in many instances, projected. Identity is that way...
June 01, 2018
Harwood Museum of Art: Late in the process of making artwork for her solo exhibition, Within This Skin, Nikesha Breeze started a series of ceramic and oxide wall sculptures titled Written in Water. She calls the works “death masks,” and each coppery visage was...
June 01, 2018
Museum of International Folk Art: On the wall of Crafting Memory: The Art of Community in Peru reads a statement describing the Peruvian capital’s thriving artistic communities: “Popular arts in Lima are all about remixing.” Moving through the show, it becomes clear that...
June 01, 2018
UNM Art Museum: The whir of air conditioning swells as viewers descend the stairs of the UNM Museum of Art into the cave-like rooms that contain Patrick Nagatani: A Survey of Early Photographs. Blonde wood chairs sit at the bottom of the staircase in the...
June 01, 2018
“I suppose in some ways I’m always trying to achieve the impossible.” Jonathan Winkle, the newly appointed director of Performance Santa Fe ignores his coffee while enthusiastically explaining how he books the perfect season roster. “I want a balance between artistically...
June 01, 2018
Mayeur Projects: Stuart Arends is fond of saying that he lives in the middle of nowhere. Ever hear of Willard, New Mexico? The landscape around the artist’s house is austere, almost barren, with a view of some mountains off in the distance. He is “off the grid and under the radar”...
June 01, 2018
Nathaniel Tarn (b. 1928, Paris) is an American poet, essayist, anthropologist, and translator. He emigrated to the United States in 1970 and taught at several American universities, primarily Rutgers, where he was a professor from 1972 until 1985. He has lived outside of Santa Fe, New Mexico since his retirement from Rutgers...
May 29, 2018
