Unpacking the Uneasy Cultural Hybridity of Paula Castillo’s Denver Monoliths
In Paula Castillo's three new public artworks across downtown Denver, cultural fusion is an optimistic and ideologically risky proposition.
January 15, 2026
In Paula Castillo's three new public artworks across downtown Denver, cultural fusion is an optimistic and ideologically risky proposition.
Joshua Ware • January 15, 2026
At the unofficial wake of a legendary art magazine, a SWC editor weighs the real-world purpose of arts journalism.
Jordan Eddy • December 18, 2025
Lisa Frank, headquartered in Tucson, Arizona, offers up a rainbow-bedazzled mirror to the emptiness of the American dream.
Natalie Hegert • September 05, 2025
Late artist Michael Tracy hit the Texas border village of San Ygnacio like a "cyclone." His creative aggression melded with an empathic awareness of his adopted home.
Nicholas Frank • May 29, 2025
Time Zero podcast producer Sean J Patrick Carney on art and the nuclearized world, from the hyperlocal of the Trinity site to the planetary effects of nuclearism.
Sean J Patrick Carney • March 11, 2025
EssayNew MexicoVol. 11 The Hyperlocal
Bruce Nauman’s Center of the Universe on the campus of the University of New Mexico inspires a personal ritual and creative essay that asks us to reconnect to the environment and ourselves.
Christina Cook • March 07, 2025
EssayUtahVol. 11 The Hyperlocal
How a lost-and-found neon dragon on Ogden's main drag shaped one family's mythology—and captured a community's heart.
Jennifer Primbs • March 07, 2025
EssayNew MexicoVol. 11 The Hyperlocal
Jesse Littlebird’s Petrolglyph moves in place, expanding horizons on the future of New Mexican lowriding and American car culture through Indigenous art.
Madison Garay • March 07, 2025
"Fires Fires" is a personal essay by Caitlin Lorraine Johnson about the effect of global uncertainty on the small scale of a life.
Caitlin Lorraine Johnson • September 06, 2024
In Southwest Contemporary Vol. 10: Radical Futures, curator and conceptual artist Ian Breidenbach ruminates on creative agency and utopian praxis as the guest juror for this issue.
Ian Breidenbach • September 06, 2024
EssayTexasVol. 10 Radical Futures
Jon Revett compares and contrasts two monumental works of art, Amarillo Ramp and Cadillac Ranch, and discusses their possible futures.
Jon Revett • September 06, 2024
Newly discovered letters revive a writer's quest to discern why two Taos-based modernist artists had an outsized impact on her family—but not art history.
Madeleine Boyson • August 23, 2024
The Bombay Beach Biennale along Southern California’s Salton Sea is an insurgent arts festival and ongoing ecological discourse.
Aleina Grace Edwards • April 23, 2024
In this psychogeographic account, Emma S. Ahmad wanders the West End Historic District in downtown Dallas and considers how the various memorials reflect the shifting political landscape of the city.
Emma S. Ahmad • April 05, 2024
EssayUtahVol. 9 Living Histories
In this essay, nicholas b jacobsen braids together ongoing histories of Mormon and U.S. settler colonialism and genocide against Nuwu and Diné peoples at Pipe Spring National Monument and Lake Powell.
nicholas b jacobsen • March 01, 2024
FeatureTexasVol. 8 Medium + Support
JD Pluecker explores the artworks of five artists in the exhibition Soy de Tejas, looking at issues of home and belonging in Texas.
JD Pluecker • September 01, 2023
WritingsVol. 7 Finding Water in the West
Laura Neal reflects on her earliest memories of water and the profound presence water has for humanity as a whole.
Laura Neal • March 03, 2023
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