Cannupa Hanska Luger: Reunion Reckons With Annihilation While Dreaming of the Future
Cannupa Hanska Luger melds past and future in an Amarillo Museum of Art exhibition that pays tribute to millions of massacred Plains bison.
November 28, 2022
Cannupa Hanska Luger melds past and future in an Amarillo Museum of Art exhibition that pays tribute to millions of massacred Plains bison.
Natalie Hegert • November 28, 2022
In (RE)CONTEXT at the Rubin Center in El Paso, ten contemporary artists integrate text into their practices, recontextualizing and reappropriating words to create tools of social change.
Edgar Picazo Merino • November 23, 2022
Ho Baron: Gods for Future Religions at the El Paso Museum of Art is an uncanny blend of maximalism, surrealism, the ascetic, and the interstellar.
Steve Jansen • October 10, 2022
FeatureTexasVol. 6 Rooted: Poetics of Place
Trey Burns of Sweet Pass Sculpture Park explores the manufactured landscape of North Texas and its echo natures.
Trey Burns • August 26, 2022
Dallas-based artist Austin Uzor blends the figure and the Southwest landscape in oil paintings that blur the boundaries of figurative painting.
Laura Neal • August 23, 2022
Borna Sammak’s exhibition america, nice place at Dallas Contemporary conceptually and materially questions popular American archetypes and the redundancies of cultural consumerism.
Laura Neal • July 26, 2022
At Sweet Pass Sculpture Park, Brook-Lynne Clark finds signs of her life on the Blackland Prairie in Big Tex is Burning, which tracks her relationship with embedded histories of Dallas.
Lyndsay Knecht • June 22, 2022
Laura August joins the Rubin Center and builds on a program that nurtures connections between art and artists in Ciudad Juárez and El Paso.
Thao Votang • June 20, 2022
Curator Yvonne Force Villareal inaugurates Brite Force, a new arts initiative in Marfa, Texas, with an exhibition of surreal Western paintings by Will Cotton.
Emilie Trice • June 15, 2022
Kinfolk House’s entry to social practice art is meant to investigate community, culture, and isolation in the venue’s neighborhood of Polytechnic Heights and beyond in Fort Worth.
Lyndsay Knecht • June 13, 2022
Drawing on public and private archives and fifty years of personal documentation, Anne Elise Urrutia’s book Miraflores brings to life her great-grandfather’s San Antonio garden in unmatched detail.
Willow Naomi Curry • May 19, 2022
A book series diving into historical and current alternative art establishments in major stateside cities visits Texas in Impractical Spaces: Houston. Here are five current H-Town favorites from the book.
Caitlin Chávez • April 20, 2022
Galveston, Texas artist Nick Barbee uses the process of abstraction in recounting American history and personal experiences in his paintings, sculpture, and installation.
Caitlin Chávez • April 05, 2022
Collectivity + CollaborationTexas
El Paso, Texas-based Juntos Art Association tackles the power of place and the “who is heard” component of storytelling in its multi-faceted project, Icons and Symbols of the Borderland.
Hannah Dean • March 18, 2022
Houston curator Suzanne Zeller uses their curatorial platform to promote underrepresented queer narratives in contemporary photography.
Caitlin Chávez • March 14, 2022
Writer and poet Laura Neal visits Theresa Chong's Dallas exhibition dedicated to the organization of grief, and finds the power in the familiar and heavy emotion.
Laura Neal • March 07, 2022
ArtistsTexasVol. 5 Collectivity + Collaboration
Raul Rene Gonzalez is a San Antonio, Texas-based artist whose work is largely autobiographical in nature, exploring topics such as fatherhood, gender roles, labor, identity, pop culture, and abstraction.
Southwest Contemporary • February 25, 2022
ArtistsTexasVol. 5 Collectivity + Collaboration
Gary Sweeney, a San Antonio-based artist, presents a collaborative project that challenges the Eurocentric standards of beauty promoted by the Famous Artists School, a correspondence course popular in the 1960s.
Southwest Contemporary • February 25, 2022
ArtistsTexasVol. 5 Collectivity + Collaboration
Rio Meander Map, a collaborative project between Jose Villanueva and Patrick O'Shea, traces the meandering flow of the Rio Grande/Río Bravo.
Southwest Contemporary • February 25, 2022
ArtistsTexasVol. 5 Collectivity + Collaboration
Tumbleweed Rodeo, led by artists Sarah Aziz and J. Eric Simpson, tracks the non-human journey of tumbleweeds through the Llano Estacado.
Steve Jansen • February 25, 2022
ReviewTexasVol. 5 Collectivity + Collaboration
At The Contemporary Austin’s Crit Group Reunion, a generic and disjointed overview muted the spirit of what’s happening now in the city.
Lyndsay Knecht • February 25, 2022
ArtistsTexasVol. 5 Collectivity + Collaboration
Collaborative works by Ghislaine Fremaux and Lando Valdez concern the sensuality of grief, the medicalized subject, the experience of surgical intervention, desire, and the concomitance of all of these.
Southwest Contemporary • February 25, 2022
Studio VisitTexasVol. 5 Collectivity + Collaboration
Houston-based artist and graphic designer Phillip Pyle, II upholds a tradition of collaboration in the historic Third Ward neighborhood.
Caitlin Chávez • February 25, 2022
Laredo, Texas native Angelica Raquel Martínez continues her familial legacy of storytelling in works on paper and textile installations.
Caitlin Chávez • February 22, 2022
Texas artist McKay Otto creates ethereal, geometric paintings on translucent canvases that evoke lightboxes.
Bryan Rindfuss • January 27, 2022
Presa House Gallery in San Antonio, Texas focuses on Latinx artists across south Texas, the Rio Grande region, and Mexico—and skirts that whole "artists-must-make-sales" model.
Nancy Zastudil • January 21, 2022
Internationally renowned Oaxacan artist Carlomagno Pedro Martínez uses folk iconography to restage moments of Mexican history in barro negro (black clay) at the Art Museum of Southeast Texas in Beaumont.
Caitlin Chávez • January 17, 2022
Artists in The Dirty South at Contemporary Arts Museum Houston work with materials and subject matter that reflect a century-long tradition of regional dialogue between Black visual art and music.
Caitlin Chávez • January 05, 2022
In our latest studio visit, Dallas-based painter Jay Chung addresses climate change and challenges perceptions of the human figure.
Laura Neal • December 21, 2021
Ciara Elle Bryant’s installation Server: Love Ta, Love Ta Love Ya at McKinney Avenue Contemporary collages photographs to create a visual bibliography while building a physical space for Black representation.
Laura Neal • December 15, 2021
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