
ArtistsColoradoVol. 11 The Hyperlocal
The Hyperlocal: Sammy Lee
Denver-based artist Sammy Lee makes highly portable sculptures from paper, but a longing for home is embedded in her materials.
March 07, 2025
ArtistsColoradoVol. 11 The Hyperlocal
Denver-based artist Sammy Lee makes highly portable sculptures from paper, but a longing for home is embedded in her materials.
Joshua Ware • March 07, 2025
ArtistsNew MexicoVol. 11 The Hyperlocal
Santa Fe–based artist Edie Tsong explores lineage through repeated strokes of ballpoint pen, revealing the spaces where our inner lives overlap to create new shapes.
Maggie Grimason • March 07, 2025
ArtistsArizonaVol. 11 The Hyperlocal
Urgent Care Art’s pop-ups in quotidian Tucson spaces juxtapose the healing and fear inherent to queer visibility.
Jordan Eddy • March 07, 2025
ReviewNew MexicoVol. 11 The Hyperlocal
Ten years of podcast guests contribute to this multimedia exhibition at Albuquerque Museum, foregrounding the playful possibilities of socially engaged art.
Maggie Grimason • March 07, 2025
ReviewColoradoVol. 11 The Hyperlocal
Ugo Rondinone, creator of Las Vegas’s Seven Magic Mountains, returns to the American West with more rainbows and a light touch.
Jordan Eddy • March 07, 2025
InterviewNew MexicoVol. 11 The Hyperlocal
Nonagenarian artist Jerry West on New Mexico homesteading, dream work, and adobe architecture as sculpture.
Patrick Kikut • March 07, 2025
Santa Fe mourns Gene Hackman, Austin's Big Medium closes, another staff departure from CCA Santa Fe, and more top Southwest art news headlines for March 2025.
Jordan Eddy • March 04, 2025
Painter Eva Mirabal bequeathed a sealed wooden box to her son Jonathan Warm Day Coming. Its contents shaped his artistic trajectory.
Rebekah Powers • February 27, 2025
"You can’t show art if no one can afford to make it," says Brett Matarazzo of BRDG Project, an arts nonprofit that just left its second location—with nowhere else to land.
Madeleine Boyson • February 25, 2025
Yasuaki Onishi's site-specific installation Stone on Boundary poetically links Japan and Utah's mountains, rivers—and entanglements in the mining industry.
Ana Estrada • February 18, 2025
Mavasta Honyouti debuts sixteen remarkable panels bearing ancestral memories of the Native American boarding school system at Wheelwright Museum.
Olivia Amaya Ortiz • February 13, 2025
New Mexico–based artist Eric-Paul Riege chose Canal Street, a commercial thoroughfare and counterfeit market, to question notions of material value in his first New York solo exhibition.
Gabriella Angeleti • February 11, 2025
Apply for artist residencies with spring 2025 deadlines in Arizona, Colorado, Nevada, New Mexico, Texas, Utah, Oklahoma, California, and beyond.
Alejandra Lara and Naomi Eldridge • February 10, 2025
Nancy Stoaks of Park City's Kimball Art Center wrote her thesis on artistic rabble-rouser Niki de Saint Phalle, sparking a career-long fight for the underdogs.
Ana Estrada • February 06, 2025
The City of Tempe says there are no plans to demolish DIY arts hub Danelle Plaza, but the mayor is sending different signals. Local artists are demanding clarity.
Lynn Trimble • February 04, 2025
Jaune Quick-to-See Smith dies, Texas officials seize Sally Mann photos, and more top Southwest art news headlines for January and February 2025.
Jordan Eddy • February 04, 2025
Artist Jon Revett makes a pilgrimage to see his mentor Larry Bell's career retrospective in Phoenix, and view what the Light and Space master calls his last cube in Taos.
Jon Revett • January 30, 2025
Robert Washington-Vaughns dumped the "capitalistic dream" to start Black Men Flower Project, a fanciful gifting initiative with the muscle of a mutual aid organization.
Jordan Eddy • January 28, 2025
From fundraising to ceiling patches, here's how artist and curator Fawn Douglas cofounded Nuwu Art in downtown Las Vegas.
Gabriella Angeleti • January 23, 2025
Amid a triumphant New York triennial, Fort Worth–based curator María Elena Ortiz looks back at her diasporic storytelling efforts—and calls for a bigger Latinx curatorial web.
Emma S. Ahmad • January 16, 2025
Keith Haring was a Phoenix teacher's second choice for a 1986 art workshop, but the invite made a major mark on the city.
Lynn Trimble • January 14, 2025
Wicked Wells and Window Wipeouts traps the viewer between a hard place and a sunken one—but its ambiguity offers a different kind of freedom.
Ryan Hawk • January 09, 2025
Bucking the solemn tone of much performance art, Right on Time collective's sweaty, cyclical extravaganzas herald a roaring late-2020s vibe.
Madeleine Boyson • January 07, 2025
Books + LiteraryInside Southwest Contemporary
The Artist's Way for werewolves, a guide to forgetting the Alamo, and other compelling reads from the Southwest Contemporary editorial team.
Southwest Contemporary • January 06, 2025
The Arizona-born artist’s MOCA Tucson exhibition draws inspiration (and soil) from the Santa Cruz River, melding body and land.
Camille LeFevre • December 23, 2024
Museum insiders offer firsthand accounts of the flash flood that breached Roswell Museum in October—and an update on the uphill battle for remediation.
Natalie Hegert • December 19, 2024
Catch these must-see art exhibitions across the Southwest for winter 2024–25, featuring Richard Avedon, Nancy Hemenway Barton, Charles Ross, and more.
Lauren Tresp • December 17, 2024
Despite economic flux, new independent book publishers are blooming—and veteran presses are thriving—across New Mexico.
Monika Dziamka • December 12, 2024
Las Vegas–raised painter eri king co-opts the persuasive powers of gambling hall interior design at Available Space Art Projects.
Alejandra Lara • December 10, 2024
Guy Cross, who cofounded SWC precursor The Magazine, stoked Santa Fe’s turn-of-the-21st-century push to join a globalized contemporary art conversation.
Jordan Eddy • December 06, 2024
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