THE Best Books 2017
Each year, we ask The Magazine’s contributors to pick their favorite recent (or recently relevant) books to recommend for your holiday-season reading. Read on for their suggestions...
December 01, 2017
Each year, we ask The Magazine’s contributors to pick their favorite recent (or recently relevant) books to recommend for your holiday-season reading. Read on for their suggestions...
Southwest Contemporary • December 01, 2017
Center for Contemporary Arts, Santa Fe: It’s impossible to convey the monumental quality present in Tom Joyce’s exhibition. The scale of some of his forged iron and steel pieces is something to consider along with the works’ refined Platonic sense of form. In addition, there...
Diane Armitage • December 01, 2017
Scottsdale Museum of Contemporary Art: In an influential column in the New York Times in 1970, architecture critic Ada Louise Huxtable called Paolo Soleri “the prophet in the desert,” positing that his ideas on the necessary comingling of architecture and ecology, or...
Deborah Ross • December 01, 2017
Some advice before visiting the Hammer Museum to view Radical Women: make sure you have a few hours, and bring a notebook and pen. The exhibition, a dense and sprawling display of hundreds of works, deserves focused attention, and there will be many artists that most viewers...
Chelsea Weathers • December 01, 2017
Central Features Contemporary Art, Albuquerque: Central Features is blank in all the right ways. treading across the unassuming polished concrete floors to the center of the gallery—which is partitioned into one large immaculately white room and several smaller ones...
Maggie Grimason • December 01, 2017
Etiquette, Santa Fe: My first visit to Etiquette, for the opening of 8 Photographers at Etiquette in early September, I was shocked. In a warehouse-esque space behind Siler Road I saw, at a single glance, more people under thirty than I have seen in the year and...
Jenn Shapland • December 01, 2017
Taos Art Museum at Fechin House, Taos: The Taos Art Museum at Fechin House has recently completed the reinstallation of portions of their permanent collection on the museum’s first floor. The collection highlights the work of the Russian émigré Nicolai Fechin...
Anna Novakov • December 01, 2017
Smriti Keshari is an Indian-American award-winning filmmaker, artist, and director. Her work explores untold stories beyond mainstream media. Her approach is interdisciplinary and deeply collaborative, bringing together artists, actors, musicians, scientists...
Cyndi Conn • December 01, 2017
I remember the moment, when, as a teenager, i realized that the u.s. interstate system was built by humans. This doesn’t sound like any great epiphany, but to me it was jarring, because it meant that some of the largest structures I had ever seen—highway overpasses, ribbons of asphalt...
Chelsea Weathers • December 01, 2017
Three illustrations by Chris Philpot for the "Printed Page" series, in which local and regional artists, designers, and illustrators are invited to contribute original work to the pages of THE Magazine.
Southwest Contemporary • December 01, 2017
I am both of these women. The first one opens the living room drapes, sees it happening, and screams for her husband. He doesn’t answer. She slaps the palm of her hand against the glass pane over and over again until her hand throbs. She isn’t thinking straight...
Susan Wider • December 01, 2017
Blue Rain Gallery, Santa Fe: In his exhibition title, the artist martin spei introduces his viewers to the concept of tramoya, defining the Spanish term as “various leftover stage props and devices that may or may not be seen as detritus by the next play’s crew when they...
Kathryn M Davis • December 01, 2017
THE Magazine's 2017 yearr in review, illustrated by Mariah Romero.
Southwest Contemporary • December 01, 2017
In the glass, the 2009 Cristal is a ripe gold. Eight-year-old Champagnes are not supposed to be able to reconcile age with beauty, but this one does. If you’re the kind of person who likes to discover the ancient in the modern, and vice versa, the living color of the 2009 Cristal will send chills up and down your spine...
Joshua Baer • December 01, 2017
If classical ballet isn’t quite your thing (and even if it is), leave it to Les Ballets Trockadero de Monte Carlo, presented this holiday season by Aspen Santa Fe Ballet, to reintroduce you to the art form. Somewhere between high art and lowbrow camp, this all-male ballet...
Southwest Contemporary • December 01, 2017
516 Arts and the Albuquerque Museum: The US-Mexico border has come to occupy an intellectually and emotionally charged space as well as a territorial one. Much of the creative production around the border unearths ways in which artists, architects, designers...
Southwest Contemporary • December 01, 2017
Michael Bergt has been in deep dialogue with art history over the course of his more than thirty-year career. Working across drawing, sculpture, and primarily egg tempera painting, Bergt has engaged art’s long history of grappling with representational and abstract sensibilities...
Clayton Porter and Lauren Tresp • December 01, 2017
Vince Kadlubek is running late. When I arrive at the repurposed bowling alley, I inform the desk clerk I have an interview appointment, and he promptly tells a colleague. She approaches me, a walkie-talkie hanging from her belt, looking authoritative and efficient. “And you are?...
Chelsea Weathers • December 01, 2017
Happy Holidays from all of us at THE Magazine! This issue will span December and January, and as such, it contains several very special features and additional content. However, we are now publishing new content online, please sign up for our newsletter and...
Lauren Tresp • December 01, 2017
This Thanksgiving, learn how to carve a turkey, illustrated by designer and illustrator Chris Philpot...
Chris Philpot • November 01, 2017
Cruising on foot down the packed blocks of downtown Los Angeles where open-air storefronts advertising their services in Spanish face the amblers of the sidewalk, I am struck by how much this dense corridor reminds me of Mexico City. Indeed, perhaps the whole of the nation's second biggest city...
Maggie Grimason • November 21, 2017
Alert arts community members may remember Thais Mather as one-third of the Victory Grrrls, who performed at form & concept earlier this year as part of the gallery’s programming around an event featuring feminist pioneer artist Judy Chicago. I’ve been keeping my eye on for this artist...
Kathryn M Davis • November 28, 2017
Jenn Shapland reviews three recent book releases: The Glass Eye by Jeannie Vanasco (nonfiction), Her Body and Other Parties by Carmen Maria Machado (fiction), and For Want of Water: And Other Poems by Sasha Pimentel (poetry) ...
Jenn Shapland • November 07, 2017
Faye Gleisser, the Georgia O’Keeffe Research Center’s current postdoctoral fellow, finds inspiration in the work of scholars and artists who disrupt linear historical periods. Fred Wilson is particularly influential. Gaining renown in the early nineties, Wilson juxtaposed...
Alicia Inez Guzmán • November 01, 2017
SITE Santa Fe: The future is now, at least in the context of Alvin Toffler’s Future Shock. When the book debuted in 1970, the year 2017 was a figment of the journalist-turned-futurist’s locomotive imagination. He daydreamed personal spaceships and underwater cities for us, but also ...
Jordan Eddy • November 01, 2017
Sanitary Tortilla Factory: In Lesbian Art in America, Harmony Hammond asks a number of questions about what, precisely, is “lesbian” about lesbian art. “Is the quality ‘lesbian’ embodied in the art object, the sexuality of the artist or viewer, or the viewing context?... Is lesbian art ...
Jenn Shapland • November 01, 2017
Sometimes a writer’s subject finds her. Valeria Luiselli, a novelist and essayist from Mexico City, was waiting for her green card when she and her niece started working as interpreters at the New York immigration court. Luiselli had heard from her own immigration lawyer that after...
Jenn Shapland • November 01, 2017
Few artists have explored flatness as deeply as Kota Ezawa. Using digital tools, for the past several years Ezawa has transformed appropriated imagery into deceptively simple compositions. A Rembrandt loses its impasto and atmospheric perspective to become a series of...
Chelsea Weathers • November 01, 2017
Dionysus stood at the end of the stone pier in Chios. He was watching the sky, the horizon, and the light on the water. He watched the pirate ship as it made its way into the bay. It was an old, solid ship with a black hull and a frayed white sail. There were twelve pirates on...
Joshua Baer • November 01, 2017
Join the New Mexico Museum of Art for a “once-in-a-century community birthday party,” as the institution turns one hundred on the day of the celebration. From 10 am to 5 pm, the museum will re-open after two months of building renovations with a plaza-wide party with events...
Southwest Contemporary • November 01, 2017
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