Antoinette Cauley: I Do It for The Hood, Pt. 2 at Modified Arts
Antoinette Cauley creates expressive portraiture to bridge hyperlocal and global concerns in I Do It For The Hood, Pt. 2 in Phoenix.
January 16, 2024
  
    Antoinette Cauley creates expressive portraiture to bridge hyperlocal and global concerns in I Do It For The Hood, Pt. 2 in Phoenix.
Lynn Trimble • January 16, 2024
  
    In Interference Patterns at SITE Santa Fe, Nicholas Galanin (Lingít/Unangax̂) stokes rage and reckoning with the dark history and continuing legacies of settler-colonialism.
Natalie Hegert • December 21, 2023
  
    Bringing It All Back Home reveals that Patrick Kikut is an unsentimental explorer of the West, manifesting an intrepid curiosity and respect for the land through which he moves.
Hills Snyder • November 29, 2023
  
    José Villalobos’s exhibition Fuertes y Firmas at Big Medium in Austin defiantly extracts beauty from brutality.
Barbara Purcell • November 27, 2023
  
    Curated by Erin Joyce, the small-scale exhibition at ASU Art Museum posits big questions about art and craft, resistance and identity.
Camille LeFevre • November 17, 2023
  
    Donna Zarbin-Byrne’s solo exhibition at Arts Fort Worth immerses viewers in fantastical representations of ecosystems from Texas and Hawai’i in the wake of climate crisis.
Emma S. Ahmad • November 14, 2023
  
    Tiny Tree, Kelly Lynn Jones’s second solo exhibition with The Pit in Palm Springs, celebrates the harmony of the natural world, bringing light and texture into focus.
Justin Duyao • November 07, 2023
  
    Jaune Quick-to-See Smith provokes conversations about Indigenous peoples and transforms the contemporary art canon with her long-overdue career retrospective.
Leslie Thompson • November 03, 2023
  
    Mythopoetica: Symbols and Stories at the Palm Springs Art Museum fuses past and present to imagine a future for the inland Southern California region.
Aleina Grace Edwards • October 30, 2023
  
    If the Sky Were Orange: Art in the Time of Climate Change looks at global warming with a right brain/left brain lineup of scientists, journalists, and artists.
Barbara Purcell • October 24, 2023
  
    Ellen Berkenblit’s exhibition In Motion at Tamarind Institute surveys the New York-based artist’s continuing collaboration with the renowned lithography workshop in Albuquerque.
Nancy Zastudil • October 09, 2023
  
    While many of the figures in UMOCA’s A Greater Utah are familiar, the ambitious scope of the project allows for new perspectives outside of the state’s metropolitan center.
Scotti Hill • September 28, 2023
  
    Jared Steffensen, a Salt Lake City-based artist and curator, repurposes broken skateboard decks into enigmatic, nearly inexplicable sculptural artworks in the Current Work exhibition Nosey Taily and the Leftover Review.
Steve Jansen • September 25, 2023
  
    Amy Cutler: Past, Present, Progress at Ruby City in San Antonio follows a community of women performing ambiguous domestic tasks as a means of feminist critique.
Emma S. Ahmad • September 19, 2023
  
    Denver artist Trey Duvall combines digital, mechanical, manual, and natural tools in order to explore a multitude of concepts in his durational installation RETURN/SWEEP.
Joshua Ware • September 14, 2023
  
    If you can find it, Wyoming’s uranium mine ghost town Shirley Basin will surprise you with a treasure trove of eclectic art from Hyperlink and Land Report Collective members.
Gina Pugliese • September 07, 2023
  
    Jammie Holmes’s first solo museum exhibition celebrates the lives of everyday Black folk while continuing the rich tradition of Black figurative painting.
Leslie Thompson • September 05, 2023
  
  ReviewColoradoVol. 8 Medium + Support
The exhibition AgriCULTURE: Art Inspired by the Land is a multi-venue project that features conceptual and reverential artworks connected to farmers and farming.
Deborah Ross • September 01, 2023
  
  ReviewTexasVol. 8 Medium + Support
Ja’Tovia Gary’s I KNOW IT WAS THE BLOOD at the Dallas Museum of Art positions daily life, ritual, and cultural traditions on the center stage.
Laura Neal • September 01, 2023
  
  ReviewNew MexicoVol. 8 Medium + Support
Bruce Nauman: His Mark at SITE Santa Fe is the internationally recognized artist's first solo show in New Mexico and includes never-before-shown work.
Maggie Grimason • September 01, 2023
  
  ReviewCaliforniaVol. 8 Medium + Support
Xican-a.o.x. Body at the Cheech presents a robust study in Chicano art, past and present, assembling 140 artworks and seventy artists whose work foregrounds the body as a site for revolution.
Justin Duyao • September 01, 2023
  
  ReviewArizonaVol. 8 Medium + Support
The Flowers of My Exile at Lisa Sette Gallery in Phoenix explores conceptual art by Cuban dissident Reynier Leyva Novo, now an artist in exile in Houston, Texas.
Lynn Trimble • September 01, 2023
  
    Although the thematic connection feels strained, the pairing of works by Kheng Lim and Colour Maisch creates a visually rich and compelling exhibition that invites us to relish process and material.
Scotti Hill • August 30, 2023
  
    I Am Not Your Mexican at Ruiz-Healy Art in San Antonio explores how Mexican and Mexican American artists have expanded the limitations of Post-Minimalism.
Emma S. Ahmad • August 25, 2023
  
    In Goodnight Moon, Rachel Rose’s ambitious and deeply researched work opens multiple tiny entry points into vast stories of past and future days and ages.
Hills Snyder • August 23, 2023
  
    Trinity: Legacies of Nuclear Testing—A People’s Perspective at the Branigan Cultural Center in Las Cruces, New Mexico, showcases the work of seventeen artists to shed light on nuclear injustice.
Ania Hull • August 18, 2023
  
    The meek, reverent sculptures of Marguerite Humeau’s Orisons puncture 160 acres of unusable potato farmland in Hooper, Colorado, offering healing to a sandhill crane nesting ground undergoing megadrought.
Gina Pugliese • August 10, 2023
  
    Tamara Johnson’s exhibition House Salad at Lora Reynolds Gallery in Austin examines the absurdity of daily domesticity with mass-produced kitchen items turned into one-of-a-kind sculptures.
Barbara Purcell • August 04, 2023
  
    Hazel Larsen Archer was a luminary yet underrecognized photographer and educator who inspired countless others, celebrated now at the Center for Creative Photography along with her student, Linda McCartney.
lydia see • August 01, 2023
  
    In Designed to Move, the microscopic is magnified in Taylor James’s photographs of Colorado Plateau seedpods, revealing a design intelligence humans can only hope to approximate.
Camille LeFevre • July 06, 2023
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