Studio Visit: James Drake
the micro- and the macrocosmic. Having recently opened the show Drawing, Reading, and Counting at Arthur Roger Gallery in New Orleans (May 7 – June 18, 2016), the Texas-born, Santa […]
June 01, 2016
the micro- and the macrocosmic. Having recently opened the show Drawing, Reading, and Counting at Arthur Roger Gallery in New Orleans (May 7 – June 18, 2016), the Texas-born, Santa […]
Clayton Porter and Lauren Tresp • June 01, 2016
Name: Lauren Tresp Location: Santa Fe, NM Writing for The since: 2013 1. Where are you from? Oshkosh, Wisconsin. 2. What is your favorite thing about New Mexico? It feels real. […]
Lauren Tresp and Southwest Contemporary • February 12, 2019
New Mexico Artists to Know Now
Francoise Barnes’s titles give the viewer a quick point of entry to her abstract, mixed-media paintings on canvas, panel, or paper.
Lauren Tresp • January 30, 2019
New Mexico Artists to Know Now
Nicole Cuzilo's photos contemplate the role of fashion and appearance as mechanisms that historically and continually both celebrate and constrain women.
Lauren Tresp • January 30, 2019
New Mexico Artists to Know Now
Charming plushy animals walk the razor’s edge between life and lifelessness in Vanessa Gonzalez’s paintings. Each creature—a sloth, a jackalope, a flock of birds—has its limbs wrenched from its tiny body, with threads and fiberfill stuffing poking out of wounds.
Lauren Tresp • January 30, 2019
New Mexico Artists to Know Now
Dorothy Melander-Dayton is an interdisciplinary artist working at the nexus of performance, theater, and installation, as well as works on paper and sculpture. The artist’s process is grounded in research into various subjects which span artistic influences, texts, material research, and experimentation.
Lauren Tresp • January 30, 2019
New Mexico Artists to Know Now
In Rosemary Meza-DesPlas’s work, she renders female figures by hand-stitching her own hair into various surfaces. Some of these figures are anguished, some contorted, some vulnerable—each is rendered in delicate, tremulous lines that speak to the traditionally feminine realm of textiles.
Lauren Tresp • January 30, 2019
New Mexico Artists to Know Now
In Yeshe Parks’s gouache-on-paper paintings, figures perform impossible acrobatics. Knees and elbows bend in perfect U-shapes as cartoon-like, faceless characters contort and intertwine themselves into arbitrary postures.
Lauren Tresp • January 30, 2019
New Mexico Artists to Know Now
When we first dreamed up the Artists Issue, we thought of it as a way to share—with New Mexico and beyond—a sample of the most vibrant and engaged artists working in New Mexico right now. Artists whose work deserves sustained attention, whether or not you’ve ever heard of them before.
Andrea Hanley and Jenn Shapland and Lauren Tresp • January 30, 2019
tasting notes with Andrea R. Hanley. occupation Membership and Program Manager at IAIA Museum of Contemporary Native Arts. venue Geronimo, Santa Fe.
Lauren Tresp • January 30, 2019
In November of 2018, we put out an open call for New Mexico artists to submit their work to be featured in this issue and were astounded receive over 450 submissions from artists across the entire state.
Lauren Tresp • January 30, 2019
Whatever all of this change ultimately means for Denver as an arts and culture community and market is to be determined. But even in the space of four years, my experience of the city as an arts destination has changed. I previously felt charmed and thrilled to stumble upon a scrappy operation in the then-industrial RiNo district, but now that district has gentrified to the point of pushing many of those emergent art spaces out...
Lauren Tresp • November 27, 2018
Have a drink with Winston Greene of Tonic, Santa Fe. He's having a penicillin (blended scotch, local raw oak honey, lemon juice, ginger, smokey scotch).
Lauren Tresp • November 28, 2018
tasting notes with: Christian Waguespack. occupation: Curator of 20th Century Art at the New Mexico Museum of Art. venue: Hervé Wine Bar, Santa Fe.
Lauren Tresp • October 30, 2018
A month ago, I wrote about the importance of critical writing and critical thinking, one of the core tenets of the work of The Magazine. Now I’m happy to write about a second core tenet: Community.
Lauren Tresp • October 30, 2018
Criticism is a vital part of a community that endeavors to engage and progress culturally and artistically. By criticism, I mean informed writing that expands upon and critiques, positively or negatively, the artwork, exhibitions...
Lauren Tresp • October 01, 2018
The September issue is my 25th as publisher and editor of this publication, and it feels like a fitting moment to reflect on the transformations that have taken place over the last two and a half years. Since early 2016 we have...
Lauren Tresp • September 13, 2018
objet d’art, a high quality decorative object, or a curiosity for your cabinet, usually collectible; and femme fatale, a female stock character whose dangerous, seductive beauty and feminine wiles draw […]
Lauren Tresp • August 28, 2018
Tasting notes with: Jennifer Schlesinger. occupation: gallerist and fine art photographer...
Lauren Tresp • August 28, 2018
Welcome to our September issue! I am excited to introduce our feature content...
Lauren Tresp • August 28, 2018
Casa tomada, the third installment of SITE Santa Fe’s tripartite SITElines biennial series, opens this month on August 3. I met with curators Candice Hopkins and Ruba Katrib in early July over drinks at Santa Fe Spirits (unfortunately José Luis Blondet was unable to join us...
Lauren Tresp • July 30, 2018
I want to bring you sexy behind-the-scenes footage of the making of The Magazine. But in truth, aside from the interviews and studio visits our writers do in the field and some editorial meetings...
Lauren Tresp • September 13, 2018
I am so excited to bring to you our August 2018 issue! With this issue I am thrilled...
Lauren Tresp • July 30, 2018
Welcome to Volume 27, Issue 1 of The Magazine! We are welcoming summer...
Lauren Tresp • June 30, 2018
Welcome to another issue of The Magazine! This issue is anchored by a number of diverse features that span painting, art travel, performance, and more: Clayton Porter and Chelsea Weathers made the trek up to El Rito to visit the studio of Shane Tolbert for the “Studio Visit...
Lauren Tresp • June 01, 2018
For us the journey to Naoshima, the art island of Japan in the Seto Inland Sea, will necessarily be long. You’ll have taken a plane or two or three, a Shinkansen, a train, a bus, a ferry, a shuttle. You’ll have overcome the inevitable travel dramas of buying the right...
Lauren Tresp • June 02, 2018
One of the most satisfying aspects of my position at The Magazine is that I am able to bring in content that I myself have wished to see as a reader. This issue represents a number of elements I have wanted to find in and bring into the fabric of this publication...
Lauren Tresp • May 01, 2018
In Colette Hosmer’s living room, a bookcase contains shelves full of jars of turtle bones, porcupine quills, dead insects, and other sundry specimens the artist has collected from the natural world. Having long informed her sculpture practice, these specimens now inspire a...
Clayton Porter and Lauren Tresp • April 01, 2018
Welcome to the new The Magazine! With this issue, we are launching into a new phase, and I am thrilled to present a new logo, a completely redesigned magazine, and new branding that will help propel our mission forward.
Lauren Tresp • February 01, 2018
Earl McBride works across a variety of moods, methods, and vibrations—predominantly in the realm of abstract painting. Throughout, his layered markmaking against clean white or softly patinaed panels creates compositions that buzz with tension. In more vigorous pieces, pigment and line are suspended, about to collide in a frenzy...
Clayton Porter and Lauren Tresp • November 01, 2016
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