Ja’Tovia Gary, I KNOW IT WAS THE BLOOD
ReviewTexasVol. 8 Medium + Support
Ja’Tovia Gary’s I KNOW IT WAS THE BLOOD at the Dallas Museum of Art positions daily life, ritual, and cultural traditions on the center stage.
ReviewTexasVol. 8 Medium + Support
Ja’Tovia Gary’s I KNOW IT WAS THE BLOOD at the Dallas Museum of Art positions daily life, ritual, and cultural traditions on the center stage. By Laura Neal
Pencil on Paper Gallery extends the line of Black-owned galleries that trace the foundational practices of accessibility, inclusivity, and representation among art spaces in the Dallas-Fort Worth area. By Laura Neal
WritingsVol. 7 Finding Water in the West
Laura Neal reflects on her earliest memories of water and the profound presence water has for humanity as a whole. By Laura Neal
Dallas-based artist Austin Uzor blends the figure and the Southwest landscape in oil paintings that blur the boundaries of figurative painting. By Laura Neal
Borna Sammak’s exhibition america, nice place at Dallas Contemporary conceptually and materially questions popular American archetypes and the redundancies of cultural consumerism. By Laura Neal
Writer and poet Laura Neal visits Theresa Chong's Dallas exhibition dedicated to the organization of grief, and finds the power in the familiar and heavy emotion. By Laura Neal
In our latest studio visit, Dallas-based painter Jay Chung addresses climate change and challenges perceptions of the human figure. By Laura Neal
Ciara Elle Bryant’s installation Server: Love Ta, Love Ta Love Ya at McKinney Avenue Contemporary collages photographs to create a visual bibliography while building a physical space for Black representation. By Laura Neal
Ash Studios is a Dallas community art space inspiring art entrepreneurship and collaborations with the end goal of raising awareness for social justice issues and underrepresented artists. By Laura Neal
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