Zahra Marwan’s exhibition at the Sanitary Tortilla Factory in Albuquerque pairs exquisite poetry with her illustrations, paintings on paper.
Krittika Ramanujan
A Year in Review and A Crystal Ball
We asked nine curators, critics, and makers in the state to look back, in hindsight, at the vibrant art scene here as experienced in the past year, and to look forward as through a crystal ball at the year to come. They were asked to answer two questions: “What was your favorite exhibition in 2019: the most compelling, beautiful, or thought-provoking show?”, and “What shows are you looking forward to in the next year?”
Experimental exPRESSion: Printmaking at IAIA, 1963–1980
IAIA’s Museum of Contemporary Native Arts showcases its student printmakers from the ‘60s and ‘70s in their explorations of form and psyche.
Rapheal Begay: Lest We Forget
Rapheal Begay is a Diné photographer and curator from Window Rock, Arizona, (the capital of the Navajo Nation) currently showing his work at Trapdoor Projects, near downtown Albuquerque. The medium is photography, but the methods are strikingly conceptual, requiring viewers to finish the work in their minds. His work evokes memories of family, as well as harshly beautiful landscapes and the animals who populate them—especially sheep—in the Navajo Nation.
