Charlie Chaplin’s Cabin, and Western Mythologies, Teeter on the Edge at Cookie Factory
In the cyclonic installation Rush, Gary Simmons critically blurs history, cinema, and Western propaganda. He also makes space for wishful grief.
February 05, 2026
In the cyclonic installation Rush, Gary Simmons critically blurs history, cinema, and Western propaganda. He also makes space for wishful grief.
Erin Joyce • February 05, 2026
As Anna Tsouhlarakis presents an elaborate Northeastern rendition of The Native Guide Project, she looks back on the Southwestern roots of her artistic practice.
Erin Joyce • August 29, 2024
Language in Times of Miscommunication presents work by eighteen artists illuminating the mercurial interplay between opinion, fact, and fiction.
Erin Joyce • May 24, 2023
On view in In Our Time, Arizona-based collectors Iris and Adam Singer have been collecting contemporary art by Black artists for almost two decades.
Erin Joyce • November 07, 2022
The Santa Fe Indian Market fashion show shined a spotlight on Indigenous designers who bring new perspectives to an industry in need of positive, equitable change.
Erin Joyce • September 14, 2022
Patrick Dean Hubbell’s exhibition Tack Room at Gerald Peters Contemporary in Santa Fe serves up a powerful discourse that challenges the representation of Indigenous peoples.
Erin Joyce • September 02, 2022
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