An Artist Who Wrangles Cattle, Pours Iron, and Pulls Prints
Artist Jack Craft operates a cattle ranch in the Texas Panhandle while producing minimalist sculptures and experimental prints.
April 17, 2025
Artist Jack Craft operates a cattle ranch in the Texas Panhandle while producing minimalist sculptures and experimental prints.
Natalie Hegert • April 17, 2025
Drift///Hold is the ambitious inaugural exhibition of Central Standard in Tulsa with major new works by five compelling early-career artists.
Kate Green • April 11, 2025
While the Roswell Museum’s doors remain closed following the disastrous flood last year, support comes from the local community and statewide arts organizations.
Natalie Hegert • April 08, 2025
Caroline Liu’s exhibition lures you in then hits you with a one-two punch about erased histories and Asian marginalization.
Robyne Robinson • April 02, 2025
Time Zero podcast producer Sean J Patrick Carney on art and the nuclearized world, from the hyperlocal of the Trinity site to the planetary effects of nuclearism.
Sean J Patrick Carney • March 11, 2025
FeatureColoradoVol. 11 The Hyperlocal
The Future Town Tour, an ongoing series hosted by Warm Cookies of the Revolution, brings residents together throughout small-town Colorado to reflect on shared cultures and create new rituals.
Parker Yamasaki • March 07, 2025
Field ReportArizonaTravelVol. 11 The Hyperlocal
Some of best art offerings in metro Phoenix happen off the beaten path. Here’s our eclectic Phoenix art guide.
Lynn Trimble • March 07, 2025
ArtistsTexasVol. 11 The Hyperlocal
Houston-based artist Cindee Klement depicts otherwise invisible systems and their interconnections to encourage local ecological recovery in the Energy Capital of the World.
Natalie Hegert • March 07, 2025
ArtistsNew MexicoVol. 11 The Hyperlocal
Since the Hermits Peak/Calf Canyon Fires, Jess Lanham has been creating work about the stark changes in her hometown of Las Vegas, New Mexico, using fragments and wildfire ash.
Natalie Hegert • March 07, 2025
ReviewTexasVol. 11 The Hyperlocal
In Fort Worth—known as “Cowtown”—the exhibition Cowboy at the Amon Carter made waves by reimagining the mythology surrounding the American cowboy.
Emma S. Ahmad • March 07, 2025
EssayNew MexicoVol. 11 The Hyperlocal
Jesse Littlebird’s Petrolglyph moves in place, expanding horizons on the future of New Mexican lowriding and American car culture through Indigenous art.
Madison Garay • March 07, 2025
Over 200 arts leaders descend on Austin's Capitol to dispense Texas charm—and return-on-investment pitches—for state funding at Texas Arts Advocacy Day.
Natalie Hegert • February 20, 2025
The desert—in all of its arid, minimalist, color-block permutations—permeates this selection of Surrealist artworks.
Camille LeFevre • November 19, 2024
Investors are finally redeveloping Evans School in Denver—and displacing nearly sixty artists from their low-cost studios in the process.
Madeleine Boyson • November 12, 2024
Tiffany Fairall, former chief curator of Mesa Contemporary Arts Museum in Arizona, sues the City of Mesa in the aftermath of censorship allegations.
Lynn Trimble • November 05, 2024
Black artists imagine radical futures through hope, healing, and history in Reclaiming Hope: Afrofuturist Visions.
Lynn Trimble • October 29, 2024
Cybele Lyle attempts, in confounding and curious ways, to queer desert landscapes in her current installation Cybele Lyle: Floating Seeds Make Deep Forms.
Camille LeFevre • October 17, 2024
The City of Santa Fe’s ArcGIS Storymaps, and its AR component, Ojos Diferentes, peel back the layers of Santa Fe history to tell underrepresented stories with new technologies.
Kimberly Suina Melwani • October 15, 2024
Don’t miss these essential art exhibitions across the Southwest for fall 2024, featuring major surveys, immersive installations, and artistic dialogues.
Natalie Hegert • October 02, 2024
Dario Robleto’s wide-ranging reach—in which the deepest interiors and most distant exteriors mix with popular culture and early analog media—is getting more articulate with each pass.
Hills Snyder • September 27, 2024
When the Lubbock City Council defunded a popular art event for promoting the “LGBT Agenda,” confirming fears of repressive drag bans in Texas, the art community got fired up.
Natalie Hegert • September 20, 2024
In Memory presents the work of twenty-one artists who excavate the archives of remembrance to reveal how humans document, distort, and cling to the past.
Ana Estrada • September 17, 2024
Studio VisitNew MexicoVol. 10 Radical Futures
Mallery Quetawki paints cross-cultural translations that help bridge futures between Indigenous communities and science and medical professionals.
Sean J Patrick Carney • September 06, 2024
FeatureSouthwestVol. 10 Radical Futures
Science fiction authors have provided many visions of dystopian futures in the Southwest. Can architects help avert such disastrous outcomes?
Natalie Hegert • September 06, 2024
InterviewColoradoVol. 10 Radical Futures
Pamela Zoline speaks with Noah Travis Phillips about the Colorado Plateau, recent work, and the science that excites her.
Noah Travis Phillips • September 06, 2024
WritingsColoradoRadical Futures
Noah Travis Phillips’s more optimistic, queer, and contemporary “cover” of Pamela Zoline’s feminist collage sci-fi classic “The Heat Death of the Universe.”
Noah Travis Phillips • September 06, 2024
In Southwest Contemporary Vol. 10: Radical Futures, curator and conceptual artist Ian Breidenbach ruminates on creative agency and utopian praxis as the guest juror for this issue.
Ian Breidenbach • September 06, 2024
ArtistsTexasVol. 10 Radical Futures
Texas-based artist Bonny Leibowitz creates hybridized installations of natural and manufactured materials that reflect the impacts of isolation, environmental degradation, and human conflict.
Lynn Trimble • September 06, 2024
ArtistsTexasVol. 10 Radical Futures
Wills Brewer’s practice is rooted in research and documentation, emphasizing history at its most expansive, geologic scale.
Maggie Grimason • September 06, 2024
Teresa Hubbard and Alexander Birchler's colossal new video installation, Past Deposits from a Future Yet to Come, dramatically explores the archeological record of Austin's Waller Creek.
Gene Fowler • August 20, 2024
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