Goodnight Noises Everywhere: Rachel Rose at SITE Santa Fe
In Goodnight Moon, Rachel Rose’s ambitious and deeply researched work opens multiple tiny entry points into vast stories of past and future days and ages.
In Goodnight Moon, Rachel Rose’s ambitious and deeply researched work opens multiple tiny entry points into vast stories of past and future days and ages. By Hills Snyder
At age eighty, James Surls, an internationally recognized artist who works out of a rural Colorado studio, continues telling stories through his sculptures, drawings, prints, and rubbings. By Hills Snyder
Perplexities acknowledges complexity and the unaccountable and meets it with one kind of certainty: deeply considered and well executed art. By Hills Snyder
The centerpiece of Nima Nabavi: Visiting is the intricate geometry that he practices, letting the silent slide of his pens continue their daily run to infinity. By Hills Snyder
The Wheeler Brothers—Bryan of Lubbock and Jeff of San Antonio—employ maximal methods influenced by humility, music, hidden hot springs, and breakdancing in the Texas Panhandle. By Hills Snyder
Masha Sha’s drawings are made in stillness alternating with something like fever, with words built of lanky linear planks unfolding at angles. By Hills Snyder
Kim Arthun, Michael Bisbee, and Judy Richardson are New Mexico artists connected by their engagement with land and landscape at Exhibit 208. By Hills Snyder
ReviewNew MexicoVol. 6 Rooted: Poetics of Place
Hills Snyder entered the multiple spaces of Jeffrey Gibson: The Body Electric in daylight, but left in a twilight state. By Hills Snyder
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