Letters: December 2018-January 2019
When I started in June, Lauren and I made all sorts of plans, and it’s a joy to watch them develop into realities: more coverage of performance art, dance...
When I started in June, Lauren and I made all sorts of plans, and it’s a joy to watch them develop into realities: more coverage of performance art, dance... By Jenn Shapland
Jesse Rieser’s photographic project Christmas in America: Happy Birthday Jesus is at first glance humorous and lighthearted. The garish colors and cartoonish settings allude to theme parks and the classic feature film A Christmas Story and perhaps to one’s own holiday memories... By Angie Rizzo
"Before, I was taught to paint in a traditional, old-school style in Oklahoma. But Santa Fe wasn’t into that. There was lots of activism back then. It was the four hundred year mark of Columbus in the Americas, and there was a certain kind of American Indian Movement (AIM) echo in response. That was my first eye-opener..." By Alicia Inez Guzmán
Whatever all of this change ultimately means for Denver as an arts and culture community and market is to be determined. But even in the space of four years, my experience of the city as an arts destination has changed. I previously felt charmed and thrilled to stumble upon a scrappy operation in the then-industrial RiNo district, but now that district has gentrified to the point of pushing many of those emergent art spaces out... By Lauren Tresp
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