FeatureNew MexicoVol. 10 Radical Futures
Drawing from his community’s roots in social commentary, Virgil Ortiz crafts a future without limitations, and his epic series Revolt 1680/2180 reaches a climax this fall.
September 06, 2024
Galisteo-based potter Robert King (Choctaw) discusses his collaboration and experimentation with clay in New Mexico’s high desert landscape.
October 20, 2023
Capturing glimpses of ancestors and extraterrestrials, Duhon James’ (Diné) work illustrates a moment in time with something both there and not there at the same time.
August 14, 2023
At the Millicent Rogers Museum, Southwest Reflections: Between Shadows of the Land takes an interdisciplinary and intercultural approach to the place now known as New Mexico.
January 05, 2023
Patricia Norby, the first Indigenous curator at the Metropolitan Museum of Art in New York, talks about the representation of Indigenous art in institutional gallery spaces.
October 29, 2021
Shonto Begay: Eyes of the World and Indigenous Women: Border Matters at the Wheelwright in Santa Fe foreground connections to place.
June 30, 2021
The new book Making History: IAIA Museum of Contemporary Native Arts shows how IAIA is redefining boundaries in Native art scholarship.
January 27, 2021
In the face of today’s sociopolitical climate, New Mexico museum practitioners plan for a brighter, more equitable future.
November 13, 2020
Di Wae Powa: They Came Back, an exhibition which opened in the fall of 2019 at the Poeh Cultural Center, in partnership with the Smithsonian Institution’s National Museum of the American Indian (NMAI), is a step towards reconciling a muddy and violent history of colonialism in the Southwest.
January 28, 2020
