 
  
    Molly Burch
Led by her syrupy, understated vocals, Burch’s songs often unfold slowly and serve as storytelling vehicles for topics like romantic despair and anxiety.
January 28, 2020
 
  
    Led by her syrupy, understated vocals, Burch’s songs often unfold slowly and serve as storytelling vehicles for topics like romantic despair and anxiety.
Patrick McGuire • January 28, 2020
 
  
  FeatureNew Mexico Artists to Know Now
The shapes of Andrea Pichaida’s sculptural works in clay are at once spare and suggestive, their lines and colors inspired by nature, their content speaking to experience both personal and universal.
Maggie Grimason • January 28, 2020
 
  
    Inga Hendrickson is a Santa Fe-based photographer. She creates colorful still lifes that are simultaneously beautiful and grotesque
Angie Rizzo • January 28, 2020
 
  
  FeatureNew Mexico Artists to Know Now
Danielle Shelley, who earned critical acclaim as a painter, has found similar success as a textile wizard. "My artistic concerns didn’t change when I morphed from a painter into a fiber artist,” writes Shelley in her artist statement. “I am still a passionate colorist, in love with shapes and lines. But I also find satisfaction in being part of the movement that has reclaimed stitch work, a long-dismissed women’s medium.”
Steve Jansen • January 28, 2020
 
  
    The thirty-five featured artists have opted to use the disarming power of humor, parody, and satire to counter, transcend, and transform the oppression they have suffered.
Alejandro López • January 28, 2020
 
  
  FeatureNew Mexico Artists to Know Now
Justin Richel infuses his paintings and sculptures with incisive, humorous, and exacting layers of commentary. He studied the technique of icon painting at the Franciscan monastery in Kennebunk, Maine, in 2004. This thoughtful Franciscan attention to color and the creation of signifiers informs his work, but his use of these methods is unique.
Tamara Johnson • January 28, 2020
 
  
    Martínez-Díaz is a visual artist who uses photography, video, design, and installation to create conceptual work focused on the hyper normalization of violence in Northern Mexican society.
Isadora Stowe • January 28, 2020
 
  
  FeatureNew Mexico Artists to Know Now
“My photos illustrate the blood pumping through Albuquerque,” Frank Blazquez told the Guardian in 2018. The portraits—largely captured along the east-west belt of Central Avenue—capture human faces, yes, but each carries a story in and of itself.
Maggie Grimason • January 28, 2020
 
  
    Rafael Lozano-Hemmer's most recent installation Border Turner in El Paso and Ciudad Juárez brings voice and person to the forefront.
Daisy Quezada • January 28, 2020
 
  
    Labor: Motherhood and Art in 2020 in NMSU’s new art building fills its elegant spaces with imposing artwork, mostly photographs and installation work.These exhibitions put a spotlight on the idea of motherhood as a powerful but almost invisible force in life.
Asuri Ramanujan Krittika • March 26, 2020
 
  
  FeatureNew Mexico Artists to Know Now
William T. Carson’s work brings a unique perspective to the adage “The medium is the message.” He works with coal to explore a multitude of significations. Beyond the economic, political, or environmental meaning of the substance, Carson reminds us that coal is prehistoric, born of ancient metamorphosis.
Tamara Johnson • January 28, 2020
 
  
    Di Wae Powa: They Came Back, an exhibition which opened in the fall of 2019 at the Poeh Cultural Center, in partnership with the Smithsonian Institution’s National Museum of the American Indian (NMAI), is a step towards reconciling a muddy and violent history of colonialism in the Southwest.
Lillia McEnaney • January 28, 2020
 
  
  FeatureNew Mexico Artists to Know Now
David Gaussoin, a Santa Fe jewelry artist of Picuris Pueblo, Navajo, and French descent, comes from a long line of creatives, ranging from silversmiths and painters to rug weavers, sculptors, and woodworkers.
Steve Jansen • January 28, 2020
 
  
  FeatureNew Mexico Artists to Know Now
All year long we share the stories of artists from across our state, but this special issue is our way of focusing on a sample of some of the premier talent continuously emerging from New Mexico. These are artists whose works are shaping the landscape of contemporary art in the Southwest.
Lauren Tresp • January 28, 2020
 
  
    “So many hands touch coffee before it even gets to me,” Gallegos says, acknowledging that roasting is just one step in the process from bean to cup. When he opened his shop, selecting the origins he wanted to serve was a joyful process. “I have this kind of ideal flavor characteristic for [each of] the six single origins that we deal with...
Robin Babb • January 28, 2020
 
  
    Artist Sharbani Das Gupta's In/Sight, on view at the Roswell Museum and Art Center, examines current environmental and cultural conundrums and asks the viewer to do the same.
Joy Miller • January 28, 2020
 
  
    Daisy Geoffrey is a writer, a reader, and a fashion and design enthusiast. She likes wine, playing outside, and trying to figure out what her cat Riff Raff is thinking.
Editor • January 06, 2020
 
  
    We look back at 2019 and a year in publishing The Magazine by the numbers, including our top-read articles, total number of copies printed, and more.
Editor • January 06, 2020
 
  
    As we approach a new year and a new decade, we're looking for light. And frankly, there's no better place to turn than all of you - our readers and community members who make these conversations around art and culture in the southwest possible. So we want to know: What's lighting you up as we head into 2020?
Editor • December 23, 2019
 
  
    In Outside the Castle (2019), Atmus the deer sits on a lawn outside Disney’s Cinderella Castle. Atmus is a fur-suit. The person inside is Tommy Bruce. The lawn is artificial. And the castle is an image. Bruce is a furry. He goes to conventions, participates in online discussions, and documents the community. His also takes self-portraits in his fur-suit.
Matthew Irwin • December 01, 2019
 
  
    Lynch makes hand-built, smoke-fired vessels, some as large as five feet tall, others small enough to fit in the hand. Her color palette is minimal and plays the whiteness of the clay against the deep graphite blacks achieved by saggar firing, a process that sometimes also deposits hues of blue and brown. Her work is simple to describe but is not necessarily easy to talk about...
Sarah Bradley • December 01, 2019
 
  
    Southern Nevada–based artist Justin Favela’s work embodies the qualities of Las Vegas by affirming the startling originality of smart near-copies. Last spring, I visited Favela in his temporary studio at the University of Nevada, Las Vegas. Reliably buoyant, Favela can shed light on seemingly any aspect of the folklore of contemporary Las Vegas...
Marcus Civin • December 01, 2019
 
  
    Quiara Alegría Hudes’s Water by the Spoonful examines the results of trauma in people’s lives in this Pulitzer Prize-winning drama at Santa Fe's Teatro Paraguas.
Talia Pura • December 01, 2019
 
  
    From the vast archives of Denver’s Clyfford Still Museum comes Elemental, an eye-catching exhibition that organizes Still’s work around images conjured by the elements: earth, air, water, fire, and æther.
Deborah Ross • December 01, 2019
 
  
    Scott Johnson’s solo show, Fissure, at the Center for Contemporary Arts is a rich smorgasbord of textures, light, and reflections, culminating in a crescendo of visual experience.
Clayton Porter • December 01, 2019
 
  
    In this day of broad familiarity with Philip Guston’s figurative paintings, it’s hard to comprehend the shock of his 1970 show at Marlborough. Remember, though, that by then Guston, first a muralist and then a part of the New York School, had been painting his gestural liquid masses to much acclaim for over twenty years.
Shane Tolbert • December 01, 2019
 
  
    In Nari Ward: We the People at Contemporary Arts Museum Houston, the Harlem-based mixed-media artist subtly yet powerfully confronts America’s sordid legacy of racism and discrimination as well as overall American identity in his show of sculptural pieces constructed from discarded materials.
Steve Jansen • December 01, 2019
 
  
    Organized by the Phoenix Art Museum, Agnes Pelton: Desert Transcendentalist is a comprehensive survey of the obscure American modernist painter, who actively worked for decades to invent abstraction in the West.
Shane Tolbert • December 01, 2019
 
  
    "There’s no safety net. Great art is full of ups and downs, but when I see someone come in wearing fine jewelry from Patina, my heart fills. That so many people trust us makes me feel we’ve made an impact."
Tamara Johnson • December 01, 2019
 
  
    In Species in Peril Along the Rio Grande, twenty-three New Mexico artists challenge themselves and visitors to 516 Arts to confront the fragmentation of the ecosystem on which the river, the bosque, and innumerable lifeforms—humans included—depend.
Briana Olson • December 01, 2019
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