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SUMMARY:Jordan Ann Craig in Conversation with Maia Rodriguez
DESCRIPTION:Join artist Jordan Ann Craig for a conversation with UNM Director of Native American Studies Maia Rodriguez on the occasion of Craig’s newly signed Tamarind editions. \nA printmaker at heart (the Northern Cheyenne artist was awarded High Honors for her Studio Art thesis in painting and printmaking from Dartmouth College in 2015)\, Jordan Ann Craig presents Indigenous design through a contemporary lens.\nCraig has participated in numerous artist residencies including The Golden Paint Art Residency\, Native American Artist Residency at the School for Advanced Research\, Roswell Artist-in-Residence (RAiR Foundation)\, the Ucross Foundation\, Institute of American Indian Arts (IAIA) Artist Residency\, East London Printmakers Project Keyholder Residency\, Cork Printmakers International Visiting Artist Residency\, and Scuola Internazionale di Grafica\, among others. \nMaia Rodriguez is an enrolled member of the Lipan Apache Tribe of Texas and Assistant Professor of Native American Studies at the University of New Mexico. Her research explores Indigenous worldview and aesthetics\, with particular attention to how artistic and narrative forms express Indigenous relationships to place\, community\, sovereignty\, and futurity. Her current book project\, Geronimo’s Ghosts: Specters of Sovereignty in the Post-Civil Rights Ethnic American Novel\, examines how narrative form articulates Indigenous resistance and reshapes the politics of coalition. Alongside her literary scholarship\, she conducts community-based research with her tribe on land reclamation\, cultural resurgence\, and nation-building.
URL:https://southwestcontemporary.com/event/jordan-ann-craig-in-conversation-with-maia-rodriguez/
LOCATION:Tamarind Institute\, 2500 Central Ave SE\, Albuquerque\, New Mexico\, 87106
CATEGORIES:Talks/Lectures
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SUMMARY:Opening: Duende Gallery + Tamarind Institute Present: Marking the Margin
DESCRIPTION:This exhibition brings together eighteen artists who have collaborated with Tamarind Institute to examine the social\, racial\, and political conditions defining their time. Working across generations and mediums\, these artists approach printmaking not merely as a tool to create images as multiples\, but as a means to question and rework established systems of power. \nThrough lithography’s processes of layering\, reversal\, and transfer\, the works explore visibility\, identity\, and control. Harmony Hammond and Jeffrey Gibson investigate feminism and queer experience respectively\, using the body and abstraction to challenge dominant representation. Works by Nick Cave\, Ruth Asawa\, Jaune Quick-to-See Smith\, Fritz Scholder\, Rose B. Simpson\, Marie Watt\, Raven Chacon\, Miguel Gandert\, and Kerry James Marshall expand conversations around cultural history and contemporary identity. Shifting focus beyond human-centered perspectives\, works by Sue Coe\, Judy Tuwaletstiwa\, Kiki Smith\, Michelle Stuart\, Emmi Whitehorse\, Duane Slick\, and Rosana Paulino highlight the interconnected relationships between humanity and the natural world. \nTogether\, these works reveal printmaking as a living tool for reflective engagement\, one that uncovers the hidden structures of our society while opening space for alternative ways of being. This exhibition demonstrates how print serves as both a mirror and a platform for transformation\, challenging viewers to reconsider the systems that govern our world and the possibilities for change within them.
URL:https://southwestcontemporary.com/event/opening-duende-gallery-tamarind-institute-present-marking-the-margin-2/
LOCATION:Duende Gallery\, 5637 Highway 41\, Galisteo\, New Mexico\, 87540
CATEGORIES:Exhibition Openings
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