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DTSTART;TZID=America/Denver:20260411T170000
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SUMMARY:Exhibition Opening: Marc Baseman and Wes Mills | Selected Works
DESCRIPTION:Studio light | space presents selected works by Marc Baseman and Wes Mills\, artists whose practices have developed in conversation since their arrival in Taos in 1991. Both have sustained careers of considerable scope: Mills represented in major collections from MoMA to the Whitney\, Baseman exhibiting across the country from the Harwood Museum onward. This exhibition focuses on the particular intensity of their drawing practice. \nBaseman’s compositions\, many measuring just over three inches on each side\, achieve their power through precision. Working at miniature scale\, he manipulates negative space and layered horizons to create depth that rewards sustained attention. Mills brings parallel rigor to his investigations of geometric abstraction\, balancing systematic structure with the warmth of individual mark-making. \nBoth artists have chosen concentration over expansion\, intimacy over spectacle. For each\, drawing functions as a method of inquiry. Constraint generates meaning. Reduction clarifies form. The viewer’s sustained attention changes what the work becomes. \nThe drawings gathered here are products of time. Decades of looking and making cohere in works that demand careful consideration. In an era that privileges speed and scale\, these works offer an alternative: evidence of what happens when artists commit fully to the surface before them with rigor and care.
URL:https://southwestcontemporary.com/event/exhibition-opening-marc-baseman-and-wes-mills-selected-works/
LOCATION:studio light | space\, 307 S Convent Ave\, Tucson\, AZ\, 85701\, United States
CATEGORIES:Exhibition Openings,Receptions
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UID:10005668-1775849400-1775853000@southwestcontemporary.com
SUMMARY:Exhibition Opening: Inheriting the Void
DESCRIPTION:Please join us for Inheriting the Void\, a performance-installation and video essay. \nCome witness a speculative interaction between a bear and a ventriloquist that asks: On whose behalf do we speak? What is the relationship between memory and knowledge? And who or what speaks through our actions? \nLoosely based on my experience caring for my mother during her rapid onset of dementia\, as well as larger themes of the climate crisis and mental health\, Inheriting the Void invites audiences to scan a QR code and listen on their phones (with headphones) to an audiovisual story while standing at the base of Tumamoc Hill. \nThe video essay is approximately 15 minutes. Arrive any time between 7:30–8:15pm. Please bring a charged smartphone and headphones to access the video essay. \nCreated by artist and educator Geneva Foster Gluck. \nAs a place-based art/research project\, Inheriting the Void explores the connections between mental health and contemporaneous events of the climate crisis\, the rapid rise of energy and water-hungry AI data centers in the American West\, and global violence. \nThe project draws from the writing of Amitav Ghosh’s The Great Derangement: Climate Change and the Unthinkable to consider the intersection of supremacist and colonial perceptions of the environment and aggressive extraction in the borderlands; Karen Hao’s Empire of AI\, in which Hao writes that the delusion of AI as a tool for humanity “simply equates to educated people becoming ventriloquists for chatbots”.These texts\, alongside the use of bear dolls in dementia treatment—as memory tools and comforting childhood symbols—form a kind of constellation of the inverted logics that seem to drive these times of dementia\, derangement\, and delusion. \nThis work was made possible by a MOCA Tucson Night Bloom Award and The Andy Warhol Foundation for the Visual Arts. More information can be found at www.genevafostergluck.com
URL:https://southwestcontemporary.com/event/exhibition-opening-inheriting-the-void/
LOCATION:The Boathouse\, Tumamoc Hill\, 1675 W. Anklam Rd.\, Tucson
CATEGORIES:Exhibition Openings,Performances
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